Showing posts sorted by date for query Jerry Jeff Walker. Sort by relevance Show all posts
Showing posts sorted by date for query Jerry Jeff Walker. Sort by relevance Show all posts

Thursday, December 25, 2025

45 Years

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This Christmas I prepared another Xmas for Kate CD (a playlist on Youtube and iTunes). Over the summer we celebrated our 45th Wedding Anniversary (see August Blog). For that occasion we spent some time together working on music that we might sing together, or as a tribute to one another, or just as memories of our time together these last 45 years.

Music has always been a big part of my life, Kate's too, the intersection is a happy merger ... so long as I don't play anything before noon! Thank god for earbuds, head phones and solitary drives.

If you're interested in our anniversary music click on the image at left for the YouTube playlist. Or, if you're really brave check the many playlists on my YouTube channel.

Some of the tunes will be obvious, e.g. 45 Years, by Stan Rogers. Others not so obvious. Most are tunes we selected together, some that I picked as a surprise. In any case, here's the playlist and a bit on why the tunes were selected:

  1. You Got Gold, John Prine. From "The Missing Years" (1991). We saw John at Mariposa around the time of this album. This is a love song set to a jaunty little tune.
  2. In Spite of Ourselves, John Prine. A silly little love song from the 1999 album of the same name. The duet is with Iris Dement. Together, Kate and I butchered this song at the anniversary party.
  3. Dear Abby, John Prine. From "Sweet Revenge" (1973). This song is BK (before Kate) but we both loved the humor of it all. We sang it at our wedding reception — see August 1980.
  4. I'll Be Your San Antone Rose, Jerry Jeff Walker. Again this is BK, but only barely. From "Too Old to Change" (1979). Words and music by Susanna Clark. We both love JJW and started going to Texas because of him. See our 2025 visit to his grave. Will we ever return to Austin?
  5. I Remember Everything, John Prine. The heart breaking last tune by John, a reflection on a long life.
  6. Passing Through London, 1972, Leonard Cohen. We both loved Leonard's music. I recall learning this tune with Kate back in 1980. We sang this on the train returning from Connie's wedding in June of 1980; other passengers were not too happy with us.
  7. One of Us Cannot Be Wrong, Leonard Cohen. From "The Songs of Leonard Cohen" (1967). Definitely BK! Another song I learned with Kate back in the day. "I lit a thin green candle, to make you jealous of me". Kate busked with this on the streets of Ottawa (BR) and managed to raise 60cents.
  8. 45 Years, Stan Rogers. From "Home in Halifax" (1993). A song about a young man imagining being together for 45 years. "I want to see your smiling face 45 years from now". It came true for us, not so for him. We saw Stan several times at the London Home County Folk Festival; there's a big hole in Canadian folk music when he died so young (1949-1983). We sang this, with Danny's help, at our anniversary.
  9. Wilder Than Her, Fred Eaglesmith. From "Drive-in Movie" (1996). I sang this for Kate at our 25th Wedding Anniversary. Our No. 1 son Chris accompanied me on guitar. It got a lot of laughs. I think we might have done it again at this years annivesary.
  10. B-Grade Affair, Audrey Auld. From "Losing Faith" (2003). This is a duet with Fred Eaglesmith. I think we first bumped into Audrey at one of Fred's picnic. It's another funny country song, one that again Kate and rehearsed for the party.
  11. Marilyn and Joe, Kinky Friedman. From "Under the Double Ego" (1983). Another sappy little love song. The theme song for our 20th anniversary. I've been singing this acapella for years. We got to see Kinky a couple of times (1944-2024) and have even had him sing this for us on the Outlaw Country Cruise (2018).
  12. I Couldn't Be Me Without You, Edie Brickell. From "Live Forever: A Tribute to Billy Joe Shaver" (2022). I like this version, learned it, and sang it to Kate at our anniversary. We saw Billy Joe Shaver (1939-2020) only a few times over the years; but he was a really important writer of Americana. See my blog of November 2020 on his passing.
  13. A Rainy Night In Soho, The Pogues. This came out around the time of  "Rum, Sodomy and the Lash" (1985) but I recall it on an EP. The Pogues were a great band. Wild, drunken but such great tunes. This is a great love song tinged with regret. "I've been loving you a long time".
  14. Yes I Guess They Oughta Name A Drink After You, Tyler Childers. From "Broken Hearts & Dirty Windows: Songs Of John Prine, Vol. 2" (2021). Another from the John Prine catalogue. A drunken bar tune, "I get drunk most every night, seems like all we do is fight". 
  15. Bad Girls, Steve Earle & Reckless Kelly. A 2025 single. A bar room lament, "Where have all the bad girls gone?" Kate was a bit of wild one, still is. But you'll find us in bars listening to music in the afternoon. Our drunken ways are over.
  16. That's The Way Love Goes, Hayes Carll & Allison Moorer. From a 2020 Single. Another love song. Classic country, originally by Lefty Frizzell. Hayes and Allison are a couple, she used to be married to Steve Earle.
  17. You Get It All, Hayes Carll. From 2020 album of the same name. Another love song, a devotion to her — "I knew the night we met, you get it all". 
  18. Another Like You, Hayes Carll. From "KMAGO YOYO (& other American Stories" (2011). This is a "Bad Girl" story, very ribald, very funny. No mush here, just drunken lust. "Let's get another round, It's lookin' like we're trouble bound. I have never seen another like you!". And I've never seen another like Kate.
  19. Love Minus Zero/No Limit, Bob Dylan. From "Bringing It All Back Home" (1965). Kate and I are both Dylan fans. Last year there was a movie released, "A Complete Unknown" (2024). Great movie, lovely song. "My love she’s like some raven, At my window with a broken wing"
  20. Song For The Life (Live), Jerry Jeff Walker. From "A Man Must Carry On: Vol One" (1977). Another BK, this was written by Rodney Crowell and his version closes with "There's a song for the friend I have found, you know she keeps my feet on the ground." She may be wilder than me, but she keeps my feet on the ground.
Looking this over I have to say that the above is the briefest of snapshots of our musical history. We are obviously big on Folk, Country and especially Americana. There are a ton of songs within those and other genres that we might have included. But again, for our history, check this blog and the many playlists on my YouTube channel.



Tuesday, September 16, 2025

James McMurty & Betty Soo

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Gord and Leslie came to visit us for some theatre (especially MacBeth at Stratford). We have arranged to meet with them in Toronto and went to see James McMurtry (with a band and fronted by BettySoo) at the Horseshoe Tavern on Queen near Spadina. Both James and BettySoo are artists we've seen many times on our winter stays in Austin TX (search this blog); we usually we see them as solo acts.

Gord and Leslie arrive by train from Ottawa, we drive from home with our car.

Tonight, on this tour, James is performing with a full band — electric guitar, bass and drums. BettySoo accompanies him on an accordion for a few songs as pictured! We had seen her this winter at the El Mercado Sunday Morning Purgatory Players gig and she said then that she was just starting out on the instrument. James we've seen many times as an early evening solo act at the Continental Club Gallery (Austin) where he has a long standing residency. He also plays late at night once a week downstairs at the Continental Club with a band — perhaps these guys he has tonight. Of course these residencies are interrupted when he's on tour. When in Austin we much prefer to see him as a solo act and early in the evening. We're not long ball hitters anymore.

Doors open at 7:00pm, BettySoo comes on around 8:00 and there's a break before James around 9:00. Kate misses seeing James, at the break I take her back to our AirBnB via Uber, and I miss perhaps the opening tune of James' set. The audience wasn't very attentive to BettySoo but were very attentive and supportive of James. Many times the audience would sing along! One neat trick James does here (and at the Continental Club) is to sing one song without any electric amplification. That quiets down thing; people stop yacking to listen closely to what he has to say.

James did songs from across his catalog (he's touring to support his latest album "The Black Dog and the Wandering Boy" (2025)) but can reach back through to his first "Too Long in the Wasteland" (1989). Of course he did Choctaw Bingo; a big hit. Given the times we are suffering through with the Lyin' King in Washington I'm surprised he didn't do at least some protest songs. But then he's not known for that ... well, there's We Can't Make It Here Anymore (2007) and Cheney's Toy (2008) but they are now quite dated.

I like seeing acts here and have over the many years seen some of our Americana heroes —  Jerry Jeff Walker, Billy Joe Shaver, Robert Earl Keen and Eric Bogle (Australian Folk). The setup is pretty good but there aren't many seats; Kate needs to sit down and get off her feet. There is a largeish "dance floor" in front of the stage but that's filled with a standing room crowd who block the view for those sitting down. We met our friends Tom and Tara from London who have grabbed themselves a spot right at the stage left. They were just  a few feet from the performers. Tom has posted some of his pictures to Facebook.

I got my pictures by wheedling my way through the crowd to the front. With a camera in hand people let you do that. Pretty much all my pictures were taken with a flash and bounce card. Someone in the audience seemed to think using a flash was forbidden. If it was nobody, other than her, said anything.

We stayed overnight at a two bedroom AirBnB condo near Bay and College. Gord, Leslie and I stayed up late after the show and at least one of us had a painful hangover the next day.

Next week we will return to see Hayes Carll at the Horseshoe — another TX Americana singer/song writer that we follow.

See also — on YouTube James McMurty and BettySoo.


Friday, February 28, 2025

Jerry Jeff Walker

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It's nearing the end of our trip to Austin and with one No. 47 WTF daily moment after another it's pretty clear that the place we've loved so much has turned into something bitter and ugly. We probably will never return; or not until sanity returns. And that will takes years.

Today we remember why we first came to Texas. It was for the music. And Jerry Jeff Walker especially. There are so many songs he did that we've enjoyed so, as a right of passage, we visit his grave. 

Jerry Jeff  is buried in the Texas State Cemetery in Austin, Texas. His plot is located in the Statesman's Meadow, Section 1, Row E, Number 24. He passed away on October 23, 2020, in Austin during the first wave of the Covid epidemic — a reality No 45 could not gas light away.

We've passed by the cemetery in east Austin so many times since first coming to Texas back in the 1990's but have never stopped in. It's a hero's cemetery and a JJW is a deserved Texas hero. We enter through the visitors center and tell the guide, oddly a Canadian too, why we're there. She shows us where to find the grave.

At the grave we have our picture taken by others who are visiting other Texas heros.

My favorite JJW album is "A Man Must Carry On" (1977). We had the pleasure of seeing him a couple of times over the years. Notably at the El Macombo in Toronto (1982). The last time we saw him he was a guest at Ray Wylie Hubbard's 70th Birthday Bash (2016) at the Paramount in Austin (that was quite an event, but I haven't written it up). 

See also my Jerry Jeff Walker blog (2020) on his passing.

Sunday, February 2, 2025

Viva Terlingua

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We're at the Wittliff Collection at the Texas State University, San Marcos for the opening of an exhibit  "Viva Terlingua: The Big Bang of Texas Music" (the exhibit closed December 6, 2025). In August of 1973 Jerry Jeff Walker and the Lost Gonzo Band recorded the live record "Viva Terlingua". Tapes of the out takes, rough recordings and more are kept at the Wittliff Collection in the JJW archives which were donated to the University. These have been researched for academic work, this exhibit and more.

Jerry Jeff is, of course, no more (see the February 28 blog on our visit to his grave) but many of those Gonzos are still around and playing -- e.g., Gary P. Nunn and Bob Livingston who we have enjoyed seeing several times over the years. Gary P. is famous for "London Homesick Blues" (home of the Armadillo) recorded for that album. Other timeless gems from the album include "Gettin' By (on Gettin' High)", "Desperados Waiting for a Train" (writer Guy Clark) and "Up Against The Wall, Red Neck Mothers" (writer Ray Wylie Hubbard). If you don't know the album I would encourage you to give it a listen. You won't be disappointed; even this 52 years later!

There was a packed house at the Wittliff for the opening, they weren't prepared for how many came but were pleasantly surprised, we were lucky to find parking near the library (Kate's mobility pass), and lots of stories were told of the hijinks involved in making the album. This was the album that introduced me and many others to JJW and what came to be known as "Outlaw Country". Probably the main reason for our continued return to Texas over these many years is the music from this album. For example, we've been to Luckenbach several times; we even saw Gary P. there! We've been lucky to see Gary P and Bob Livingston many times in and around Austin. We caught JJW only a very few times -- my most notable experience was seeing him at the Horseshoe in Toronto around the time of "A Man Must Carry On" (that was mid 1970's before Kate). He was certainly "carrying on" back in those days.

We ducked out a bit early, before Gary P. played the piano, as we had tickets to see Garret T. Capps at the Redbird.

Sunday, May 28, 2023

Grievous Angels

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On Sunday Kate and I drove to Toronto (it's over 2 hours each way) for an afternoon performance by the Grievous Angels (Charlie Angus' band) at the famous Horseshoe Tavern on Queen St E at Spadina. Just down the road a bit from CAMH (Kate works for them) at College and Spadina.

Note: Charlie Angus is, and has been for quite a while now, the NDP MP for the huge riding of Timmins-James Bay and do not confuse this band with a similarly named "Grievous Angels" from Tempe, Arizona. The band name is an homage to the 1974 Gram Parsons album.

We follow both Charlie Angus (for the politics) and Grievous Angels (for the music) on Facebook and had seen tickets advertised some weeks before the event. We had tickets but might not have gone with our recent mobility problems. But, Kate was game for the drive Sunday morning and we set out early for the 1pm show arriving early enough to get excellent front row seats. The lady we joined at our small table warned us that the view might get obscured by dancers but that never amounted to much. It was mostly a listening audience and, while busy, was not too crazy. Most of the audience were at or near our age — aged punks and radicals who lean to the left.

It was a lovely sunny day, quite hot for the time of year, but a good day for a drive into the city. My intention was to drive up Spadina and drop off Kate at the bar while I would find nearby parking. I missed the Spadina exit from the Gardiner (it's been a while since we've been to "the city") and ended up coming up University Ave then across Richmond. Fortunately we found street parking right across the road from the Horseshoe on Queen St E. — how very convenient for us. As it was such a sunny day the streets were busy with pedestrians seeing and being seen strolling and in the cafés and patios open that day. We left the sun and entered the dank and dark of the infamous Horseshoe Tavern.

We arrived to a bit of a lineup within the bar — the performance area is in a much larger room at the back divided into roughly equal seating, dancing and standing areas. We got a beer (for me) and a soda and lime for Kate who was "on the wagon". Charlie greeted his fans standing in line and Kate told him that Grievous Angels was our "Desert Island" band for many years (we still love "One Job Town" (1990) and the voice of Michelle Rumball). He replied, "No, we were signed with a different label". These days they record and publish on their own label. Politics has kept Charlie busy but I think the pandemic gave him a chance to write and reach out again to his music. He seemed to enjoy playing with the band, they were tight, able and well rehearsed, and oddly his voice has improved over the years!

Once we had a table I checked out the merch table and bought their second last CD, "The Great Divide" (2013), and a copy of Charlie's recent book, "Cobalt", about the mining history. Their latest release, "Summer Before the Storm" (2021) was only available as an LP and I don't play or collect vinyl. I had listened to it a bit on iTunes and have since bought it and "Hanging Songs" (2003) from the Grievous Angels web site. They are currently working on a new album "Last Call for Cinderella" which, I think, will come out next year. They have an extensive catalogue (there are about 8 albums; we've been following them since 1990) and the show featured several new tunes from this forthcoming album.

After the opening act, Charlie did a bit of a reading from another book he's working on, the subject seems to be his recollections and reflections on life as a punk in the 1980's and how we really need to return to that mind set. That book will come out next year as well.

The opening act, Hayley and The Pirate Queens, was a small 3 piece punk band fronted by Hayley Austin (guitar and vocals) with Tim Hadley (bass) and Nathan Mahaffy (drums). The music is sort of power pop punk girl band. The sound was a bit mushy, as it was for the Grievous Angels. A photographer near me asked me if the sound was bad, I said it was but it went with the punk ethos. I enjoyed the set, would have liked it better if I could have made out the words to the songs. Kate sat with her leg up in the car so she would be up for the Grievous Angels. We texted back and forth, and I let her know when Charlie started his reading. She returned for that and we stayed until the bitter end.

The current band consists of Charlie Angus (vocals, electric and acoustic guitar), Ian McKendry (newest member on electric guitar), Peter Jellard (founding member on fiddle, mandolin, guitar and accordian), Tim Hadley (long time bass player with Grievous Angels and Stompin' Tom), Nathan Mahaffy (drums), Janet Mercier (vocals) and Alex Bell (piano and vocals). Tim and Nathan are the rhythm section that formed the backbone for Hayley and The Pirate Queens and they often open for the Grievous Angels. There seems to be a connection to Belleville, where Kate went to high school and where her parents lived until their death.

We enjoyed the show and recognized some of the tunes. Many were new to us from this album in progress. Janet Mercier and Alex Bell shared lead vocals on a song about Barcelona from the new album. Alex on piano was hidden away at the back of the stage with Nathan on drums. The band got the crowd up dancing to the "Gumboot Clogeroo" from "Toute La Gang" (1989) and to "I Fought the Law" (made famous for us by the Clash (1979)). As might be expected, many songs are about mining, resource industries and hard times. There is a political bent.

The band played two sets with a brief intermission. I went out to feed the parking meter near 5:00 during the second set and when I returned the dance floor was hopping but the show was winding down. I've shared these photos on Facebook and even got a mention from Charlie himself.

It was good to see live music again by one of our favorite bands. We don't get to the Horseshow and Toronto very often. I recall seeing Jerry Jeff Walker, Eric Bogle, Billy Joe Shaver and Robert Earl Keen at this venue but those were years ago. This was our first time seeing Charlie Angus and the Grievous Angels.

Tuesday, November 3, 2020

Billy Joe Shaver

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What a year it's been for our music heroes. First John Prine, Justin Townes Earl and then Jerry Jeff Walker. Now Billy Joe Shaver, who was probably the greatest country songwriter ever, has crossed that river. When will this end?

Billy Joe was 81 years when he passed away on October 28, 2020. He apparently had a bout with COVID-19 over the summer and then a fall in September. The last time we saw him, four years ago at Riley's Tavern in Hunter Texas (November of 2016), he was hale and hearty, full of piss and vinegar. And having a hell of a time: "Fit to kill and goin' out in style." As you can see from the picture at left he's grinnin' like the "Wacko from Waco" — which of course he sang.

Click on the image to see more pictures from that event.

We had seen him at the Horseshoe Tavern in Toronto with his son Eddy as "Shaver" many years ago. So we were really excited to see him again at Riley's Tavern — we don't often get to see legends like Billy Joe and, as time has shown, they don't last forever, even if their songs do.

We had never been to Hunter Texas -- it's a small town (barely a crossroad) just a few miles north of Gruene (where you'll find the famous Gruene Hall -- where Billy Joe had his heart attack on stage and continued to play!). It's just off the IH35 between Austin, where we were staying, and San Antonio. It was about an hour away from our holiday long stay home in South Austin. 

Riley's Tavern is a very small club/Honky Tonk in a country setting with bikes and pickup trucks parked around. There's a bar at front and a bit of performance area attached where, unlike Austin clubs, smoking was permitted. Packed, as it was that night, you might squeeze in 100 people. An intimate environment. Billy Joe, the "Honky Tonk Hero", was up front at the bar glad handing fans as we arrived. We arrived early and found ourselves in a prime location up front to stage right where we had seats (there were very few, mostly it was standing room only). I was able to get some pretty good photos. The front band was the Texas KGB. They played a good set but were really blown out of the water by Billy Joe and his band. They played without a break and went on forever. Billy Joe was smiling and laughing, telling stories, never tiring and making sure that a) we knew that all these songs were written by him and b) he had been saved by Jesus Christ. In spite of buggered up knees and hip surgery he would get down on his one knee to praise Jesus Christ. I recall he said he was waiting to get the other hip done, or was it the other knee?

It was quite a night in Hunter Texas and one we'll long remember.

While there's lots of great music in Austin, we've never caught Billy Joe there. He sometimes played the White Horse Tavern, and that would be a great place to see him. He was honored at the Ameripolitan Awards in February of 2015 which we did attend. Unfortunately at that time he was not well and Joe Ely accepted the award for him. Joe Ely sang Bill Joe's song "Live Forever" in his honor. Cowritten with his son Eddy, it's a song that's fitting now:

You're gonna miss me when I'm gone
Nobody here will ever find me
But I always be around
Just like the songs I leave behind me
I'm gonna live forever now

Of all the many tunes Billy Joe wrote we are especially fond of "(We Are) The Cowboys". Willie Nelson has recently released a version on the album "First Rose of Spring" (2020). The verse that we especially like is:

We are the cowboys, the true sons of freedom
We are the men who will get the job done
We're picking our words so we don't have to eat 'em
We're rounding them up and then driving them home

Billy Joe certainly had a way with words. And, at least in our house, he will live forever in his songs.

Ps. the album "Live at Billy Bob's Texas" (2012) is a very good sample of what the show at Riley's was like. Unfortunately, that album seems to be out of print. It's still available on iTunes and Spotify.



Tuesday, October 27, 2020

Jerry Jeff Walker

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October 23, 2020: Scamp Walker has left the building. 

We are saddened to hear that Jerry Jeff is no more. He shaped our love of Americana music. We would not have explored Texas so many times were we not exposed to Scamp Walker and his Gonzo Band. Many thanks, rest easy, we'll carry on.

I think the first I heard of Jerry Jeff was from my friend Mike back in the early 1970's when we shared the "Horbinger Home" in London while attending school at Western. While the music of the home was dominated by bands of the day (Supertramp, Rolling Stones, Rick Wakeman, etc.) Jerry Jeff opened our eyes and ears to what music could be. And of course that hard drinking life style appealed to both of us.

I only ever saw him a few times but have pretty much every recording ever made. The first time would have been in the late 70's at the Horse Shoe Tavern in Toronto around the time of "A Man Must Carry On" (my favorite album). My girlfriend at the time knew about my affection for his music and we drove from London to Toronto to see him. When we got there the bar was full and we could not get in. Sadly, we settled for some long forgotten show up the street at the El Mocambo. But luckily on leaving that show early we stopped by the Horse Shoe and were fortunate to get in and catch the last set! It was an excellent experience, magical and beery.

The second time, sometime in the 80's or 90's, Kate and I caught him at the El Mocambo. And the last time was recently at Ray Wylie Hubbard's 70th birthday bash at the Paramount Theatre in Austin November 12, 2016 where he came on stage to sing a few tunes with his old friend who authored "Red Neck Mothers" made famous on the "Viva Terlingua!" album recorded in the Luckenbach dance hall.

In 2018 we visited the Jerry Jeff Walker Exhibit at the Wittliff Collection, Albert B. Alkek Library, Texas State University, San Marcos. They have the archive of Jeff Jeff memorabilia.

We've travelled many times to Austin over the years to discover the rich music scene introduced to us through his music. Our many adventures in Texas might never have been, if not for Scamp Walker.

Many thanks, Buckeroo!

Saturday, February 15, 2020

Luckenbach Hug-In

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The Luckenbach 45th annual Hug-In is a Valentine's Day event held on the weekend closest to Valentine's Day. This year Friday was the 14th and Dale Watson had a dance in the old dance hall. We have tickets to see Bruce Robison and Kelly Willis on the Saturday.

Luckenbach is a small hill town, population 2, made famous by the Outlaw, Cosmic and Gonzo Country music of the 1970's. You may have heard the song "Lluckenbach Texas" (1977) by Waylon Jennings or the 1973 "Viva Terlingua" live album by Jerry Jeff Walker recorded in the Luckenbach dance hall. It's the kind of country music we like and one of the main reasons for coming to Texas.

We've been to Luckenbach a few times over the years but haven't been back since the 2013 Hug-In where Gary P Nunn played. The first time would have been back in the 1990's -- Cindy was with us then as well. We've been a number of times for the Hug-In but have only made it to the dance once. This year is no exception.

Luckenbach is about an hour and a half west of the city in the hill country. It's near Fredericksburg (made famous by those Austin Lounge Lizards for the Chester Nimitz Oriental Garden). Between Johnson City (yes that Johnson, the ranch is nearby) and Fredericksburg there's quite a few wineries springing up. Most get there grapes elsewhere -- often the Llano Estacado area in the Texas panhandle. We stop at the Signor Winery on our return that afternoon where I have a lovely glass of Pinto Noir made with Oregon grapes, the ladies try the Chardonnay. There are some grapes grown locally but not a lot.

Ps. for the town Llano you say "lano", for the Llan Estacado you say "yano". Spanish pronunciation is hit and miss in Texas.

Anyway we arrive in Luckenbach around 1:00pm and my how things have changed. There's still the old general store/bar, the dance hall and feed lot. But there's a lot of new structures -- like a fully functional washroom outbuilding (the old pisser by the creek has been turned into another beer service bar), several stages with live music (in the old days pickers and grinners would just gather under the trees and play pick-up tunes with one another). But everybody is somebody in Luckenbach and beer is still beer, "I'll have a Lone Star thank you, mam". Kate and Cindy are refreshed with some Chardonnay from Becker Vineyards (a local winery) bottled up as half bottles with a Luckenbach label. We've brought some lunch with us but end up have some hot food from the Feedlot. There's a pretty extensive menu at the Feedlot by comparison to when "Big Daddy" ran it years ago -- back then you could have beans, weiners, or beans with weiners and a slab of white bread.

The weather is windy and cool, too cool for our taste. Jimmie Lee Jones is playing country classics on one of the stages -- there used to be a washer pit there for plunking washers (a game somewhat like horseshoes). We come inside the small bar for a while and warm up by the wood stove. Even with our lawn chairs and blankets it was just too cool outside. We end up going home early while it's still light and stop at the winery on the way out.

Our tickets to the dance? We leave with the nice lady who is controlling entry to the parking field. Perhaps someone arriving later can use them.

Monday, February 3, 2020

Mystery Monday - Bob Livingston

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Monday is a warm day but threatening rain. We take our bikes to Town Lake and bike along the new boardwalk over the water near the IH35. Along the way we see the local Crab Shack has closed -- that's unfortunate as there are very few restaurants on the lake. For lunch we drop in to see more tatooed ladies and their dogs at the vegetarian Bouldin Cafe. It's Kate's favorite restaurant and caters to the stereo-typical Austin Slackerville Hippy. There's even a Slackers Feast on the menu (a bowl of beans and rice, cheese extra)!

That evening we have dinner and several Mexican Martinis at the Backstage at the El Mercado (motto: World Peace thru Tex-Mex) and take in Christine Albert's weekly Mystery Monday show. This Monday the mystery guest is Bob Livingston who we've seen many time before. He played with and wrote a number of songs that were made famous by Jerry Jeff Walker; for example "Public Domain" and "It's Good Night for Singing" are two of his. He told stories about touring with the Lost Gonzo Band and we all sang along to "London Home Sick Blues" (aka "Home with the Armadillo" by Gary P Nunn) made famous on the Viva Terlingua album recorded live at Luckenbach. It's also been the theme song for the Austin City Live show on PBS.

Tonight Christine is co-hosting with Rich Brotherton, with regulars Bobby Kallus on drums and David Carrol on upright bass. We were expecting Bill Kirchen as a co-host but he apparently has stepped down from that role.

Of the many great tunes that night the one that really stood out for me was "Runnin' with You"  (YouTube recording by Christina Fijardo) performed by Rich Brotherton. It's a song written by Sarah Elizabeth Campbell who, with Christine, was one of the original founders of this series. There's a tribute art work to Sarah on the wall of the Backstage, we were here when it was unveiled a few years back.

Rich performed that piece on electric guitar. To me it sounded like a punkish anthem -- back when I was runnin' with you. I contacted Rich over Facebook Messenger to find out if he had recorded it -- he hasn't, the YouTube version above will have to do.

Rich also performs in an Irish band "Ulla" every Sunday night at the Saxon Pub. Our friends who host the B2 concerts have recommended we go see them and we will.

Monday, May 5, 2014

The King of Tennessee

The photo at left is my sweet baboo Kate with the singer Chris Wall taken at the Twin Creeks Dance Hall in Leander during our winter visit to Austin in 2014. Leander is a suburb in the north west of the city and the Twin Creeks Dance Hall is located on a woodsy farm road essentially in the middle of nowhere. You're definitely in the country in more ways than one.

We were listening to a Jerry Jeff Walker record yesterday (Live at Gruene Hall 1989) and noted that there were three great songs by Chris written those many years ago -- I Feel Like Hank Williams Tonight, Rodeo Wind and Trashy WomenKate doesn't have too much lipstick, too much rouge or a Dolly Parton wig but she does pride herself on being a tad on the trashy side and proud to have a picture with Chris.

Like many country artists Chris does some funny songs -- Trashy Women and Something to Shoot are examples of that. But there are others that are sheer poetry -- Hank Williams, Rodeo Wind and We're All in This Together. You'll find "We're All In This Together" on his latest record, El Western Hotel (2013 produced by the ubiquitous Lloyd Maines). It's a confessional of a life lived, mistakes made and lessons learned. A song which really moved me when he sang it live at the Twin Creeks. I have the CD; got it last year on our visit to Austin but hadn't really listened closely. With live music you attend to the words and I finally listened and heard the lyrics. Like Townes Van Zandt he has written tunes where the words fit so well. If I had written anyone of those great songs I'd be able to hang up my hat, put down my pen and say I'm done. There's nothing more to be said, but that's never true:

"When you think it’s all been done
You’re sure it’s all been said
Some young unknown poet drops a line and stops you dead"

But just one more thing I wanted to say ... There was a great line used by Chris during his show which brought me to writing this. He clearly loves all thing Texas -- the cowboy hat and boots, a pickup truck and something to shoot (lyrics from  "Something to Shoot" on Honky Tonk Heart (1990)). He was raving about what a great place Texas is, like Jerry Jeff he's from elsewhere but loves Texas, and summed it up by saying, "I'd rather be a fence post in Texas than the King of Tennessee". I'm not sure where the line originally comes from, it's found as a bar room snippet on his album "Any Saturday Night In Texas"  (1996, a live at Greune Hall recording), and is usually credited to Chris. Whoever wrote it many thanks, it's a good one.

Postscript: There's a good collection of Popular Chris Wall Videos on Youtube -- check them out and become a fan.

#Austin #LiveMusic #ChrisWall

Thursday, May 1, 2014

More Austin Music Events!

Click image for more photos ...
There were lots of music events in Austin during our winter stay. Check out the photo album to see some of them.

Amanda Cevallos and the High Hands:

The picture at left is the neon sign for the (in)famous Broken Spoke on South Lamar. It's an old time dance hall that was once on the edge of town — when we first started visiting Austin back in the '90s. These days it's getting crowded out by condos and other developments. Austin is a fast growing city.

We saw Amanda Cevallos and her band the "High Hands" one evening at dinner time at the Broken Spoke — they say they have the best chicken fried steak but then a lot of places claim that title. We had dropped in last year to see her and really enjoyed her music which I had discovered through Calvin Powers  and his Americana Music Show (a podcast I'd highly recommend if your musical tastes are any where near mine). We enjoyed Amanda's music — authentic country — and had taken some nice photos but were heading out before the show was over. Amanda caught us at the door saying "I know you, you've been here before!".

The Broken Spoke is famous for the dance hall. Amanda was in the dining room where you enter first. She has a regular weekly gig there. We've been to several dances over the years (Gary P. Nunn a couple of times, Alvin Crow and others) and you really come to understand Texas music when you see it on a crowded dance floor with those who can move to the music — Kate can dance, I can't get past the Owen Sound 2-step which ought to be more than enough for country music.

Austin Lounge Lizards:

The photo album starts at the Cactus Café on the UTexas campus. We had tickets for the Austin Lounge Lizards at the Cactus Café that we had bought while still at home in Canada (Kate loves them and we've always wanted to see them). We ate at a Noodle chain on "the drag" before the show (all restaurants near the campus seemed to be fast food) – surprisingly good food and wine was surprisingly decent. There's a funny picture in the album of some street kids "fishing" for change on the drag.

The Lounge Lizards were wonderful and hilarious – I was in tears with laughter when they were doing a song in Spanish and pretending to do simultaneous translation. Their chatter in between songs was as funny as their songs. During the break, they walked around chatting with fans (who were mostly about the same age as the band – about our age). Kate asked one of the band members if they planned to do "Pflugerville" (I fled with my flogger to Pflugerville, Pflugerville, Pflugerville) and he said he thought they might be as it was their encore last night – it ended up being their encore that night! They also did another favorite of ours  – "Cornhusker Refugee" (I’m going back to the flat lands, the good old welcome back lands) – where the audience were encouraged to sing along on the chorus holding their arms up and waving them as waving fields of wheat. The pictures of the band members with tin-foil hats was taken during the conspiracy theory parody "Black Helicopters". I was a little uneasy in the days to come when I then started noticing the "Black Helicopters" circling around our neighborhood!

They hung around chatting with fans after they were done and we chatted a bit, told them we were from Canada and had wanted to see them for years, etc.  Kate has since struck up a correspondence by email and invited them to come play in our part of the world.

Terri Hendrix:

We got to see Terri Hendrix at the Cactus Café. I had dropped Kate in front at about 7:20 for the 8:00 show but the line was already quite long – extending into the cafeteria. Kate had her stool with her this time but was able to pull a chair into the line (also done by quite a few others). We chatted with the people in line – a couple (she from near Buffalo but had been here quite a while, he from Wisconsin wearing a Billy Joe Shaver T-shirt) and a guy wearing a beret (probably around our age or a little younger – looked a bit like George Clooney). Billy Joe Shaver was playing that night at an east end dive called the “White Horse” (very near the fancy restaurant called Qui where we had dinner earlier). The guy with the T-shirt said he had moved to Austin about 30 years ago to follow Jerry Jeff Walker. When Kate told the beret fellow about seeing the Lounge Lizards the previous week, he told her an anecdote about when he was travelling quite a bit on business all over the country and the Lounge Lizards seemed to be playing everywhere he went and he would gather up some local friends and go see them. He said they were friends of his. He had also worked in the Amazon about 15 years before as an engineer on a medical project. Seemed like a nice guy – easy to talk to. We chatted with him and the couple about the Olympics (the Canadians did very well at hockey, the Americans not so well) and the Great Lakes being 88% frozen, etc. We still managed to get seats in the second row even though we were way back in the line so had a very good view of the show.

Terri Hendrix had lots of great music (which Reg already knew about – why we were there) but also was very lively and told lots of funny stories. Lloyd Maines who plays with her and has produced every album and CD of note coming out of Austin in the past 30 years as well as being the father of Natalie Maines of the Dixie Chicks also told some funny stories, including how Terry was visiting his family for a few days at Christmas and was always practising the harmonica and they decided she needed a blues name – so they decided to call her Blind Lemon Pledge.

Lloyd told a story about a gig they were playing in a similar setting with the audience wrapped around the stage. During a song someone in the audience to the side kept calling out “Lloyd, Lloyd…” to get his attention. After the song had ended he asked her what she wanted and she replied “Could you scoot back a bit, you’re blocking our view of Terri”.

Sadly we missed seeing Iris Dement who played two shows at the Cactus Café while we were in town. Both shows were sold out by the time we discovered them!

James McMurtry:

One day Kate had taken me for a wine tasting tour in the hill country around Dripping Springs (motto: "Just West of Weird) — more about that later. That night we saw James McMurtry at the Gallery of the Continental Club – a fairly small space with couches and a few high tables and chairs. James plays a regular midnight gig at the Continental Club with his full band but that's at midnight and we're not willing to stay up that late. We had seen him and his band a few years ago at an outdoor concert at Threadgills garden which we really enjoyed.

This show in the gallery was just him with an acoustic guitar – sometimes a 6-string, often his 12-string. His songs were great (very much story-telling – usually depressing stories), his playing was amazing as always (although he did an awful lot of tuning – he would tell people to take a break and get a drink while he tuned – happened several times in the 90 minute set – he made some droll comments at other times as well like – “There’s lots of room here. All the non Baptists can get up and dance. I guess they’d be Methodists.” And then when nobody danced said that he guessed there were no Methodists there). The only downside was that we were sitting right in front of one of the speakers and it was way too loud.

One of his more well known tunes is Choctaw Bingo where he tells the story of going to a family reunion up in Oklahoma where his uncle Slayton "Cooks that crystal meth because the shine don't sell". It's a rousing spoken word tune in the style of Woody Guthrie ... but not political. For that you should listen to his version of "We Can't Make It Here Anymore".

I spoke to him before the show and then we spoke to him again after the show thanking him and telling him about seeing him at La Zona Rosa years ago as a solo gig when he was working on “Where’d You Hide theBody” (1995). He said he might see us in Canada – he has a friend in Peterborough. We were going to ask him if his friend was Washboard Hank but by then someone else was talking to him.

We bumped into him again one night at the Continental Club when we caught a bit of the Whiskey Sisters.

Chris Wall:

Chris Wall's song "I Feel Like Hank Williams Tonight" is a classic of country music made famous by Jerry Jeff Walker. Like all good country music it tells a story. A sad evocative story of a marriage breakup. We have all his albums and have followed his music for years. But had never seen him. The previous year we missed him at Gruene Hall when he was doing a CD release of "El Western Hotel" (his first CD in many years) and this year we saw that he was playing a regular gig at Luckenbach — that would have been a treat.

When we couldn’t go to see Chris Wall in Luckenbach because of other plans we found on his web site that he was going to be in Leander (a far northern suburb of Austin — about 30 minutes drive). We had to do quite a bit of research to find out where it was — it wasn't listed in any of the usual papers or anything. His show was listed as 7pm at the "Twin Creeks Dance Hall". If you go to Google now you'll be hard pressed to find anything about the dance hall!

We thought we would go early (about 6:00) so we could find the place while it was still light out. There was no trouble finding it – lots of cars were parked on the road and motor bikes too. We entered this patio area where tons of people had clearly been there all afternoon — quite pretty surroundings on a creek that feeds into Lake Travis. There was free food of various kinds — hot dogs, potato salad, macaroni salad, carrot salad and various hot things that probably contained various meat. It wasn't really clear what you were supposed to do — it was like we had crashed a private party — which in a lot of ways, we probably had. It felt like the first time we went to Luckenbach — only seemed even more of a private event than that. There was an open-mike stage going on outside on the patio and Chris Wall was listed with several others in the line-up playing on the main stage (which we had to ask about) – open-mike outside, main stage inside the "dance hall" – which was the size of a small bar with about 8 tables, a few bar stools and the rest standing room. Fortunately, we got a table in front of stage while everyone was outside watching Dr. Danger set himself on fire – turned out it was a woman – a roller derby champ. Yes people set themselves on fire just for fun. Kate missed it because she was holding the seat inside but Reg captured it on digital.

We saw the guy who preceded Chris, Bob Cheever, a 70-year-old who kept forgetting the words and so going off onto other songs — great voice, sounded a lot like Willie. Then Chris Wall who was great, very friendly, but didn't seem very healthy — looked him up later and he’s a week younger than Reg (we would have guessed that he was at least 70). Then a guy called Bill Callery (also of an age – Bill mentioned Vietnam several times and seemed to be best known for writing Hands on the Wheel on Willie's Red Headed Stranger record. All 3 seemed to have connections to Willie and Jerry Jeff. The musicians were playing for free because it was a fund-raiser for a new sound system for the dance hall (which they needed — we didn't enjoy Bill Callery at all mostly because the sound was so bad — he was with a band; Chris was fine because he played on his own with one other guy sitting in). They announced they had raised $800 which didn't seem very much considering there was probably 100 to 200 people there.

Joe Ely:

On our last night in town we had been exploring Ginny's Little Longhorn Saloon in north Austin. On the way home, Kate got the yen to try out Home Slice Pizza on SoCo across the road from Gueros. I was not enthusiastic as our car was loaded down with bikes and everything. Especially cranky when we had trouble finding a parking spot, but we finally pulled into the Home Slice lot, got out of the car and who should be heard but Joe Ely!

He was playing across the street at Gueros under the live oaks for the KDRP radio show they do on Wednesday nights (which we had never figured out involved live music). We ran over to check it out – there was about ½ hour left of the show so Kate went in and got drinks while I moved the car to a more permanent parking spot.

It was a great show and a real treat for us. It was pretty much a standing room only show in spite of the very cool weather. Joe had a young fiddle player (Warren Hood) and another guitarist (Jeff Plankenhorn on slide guitar as well) with him. He commented that he had known Warren, the fiddle player, all his life — he was an accomplished younger fellow and the son of Champ Hood. I've written about Joe and the Flatlanders in other blog entries.

We got pizza slices to take home after at Home Slice Pizza – which were also great.

MapJam:

MapJam is a day long music event spread over several places in East Austin sponsored by the UTexas radio station KUTX. The idea is to walk or bike from one event to the next over the course of day.

We drove over to Mapjam with our bikes on the back of the car. The event seemed to have the same itinerary as last year – starting at the Hops & Grain brewery and then Tillery Park and ending at Scoot Inn. We only planned on going to the first three places so that we could come home to rest before going to see Terri Hendrix and Lloyd Maines at the Cactus.

We saw the Carper Family (an all female acoustic blue grass band) and the Brewery and Growl (a young punkish band) at Delta Millworks (a lumber yard of sorts). We enjoyed both acts and bought CD's.

The brewery once again was not able to handle the numbers. We were there early but they weren’t serving yet (it was 11:45 and they couldn’t serve until noon) so I went out to schmooze with the police and Kate sat at a picnic table outside the brewery door. Next to her was a guy set up for selling one kind of draft beer to refill glasses for those who had purchased tickets inside. He told Kate they couldn’t serve yet but that she could buy tickets so she went back in to do so. There were 2 or 3 people ahead of her for the bar and when she got there it was about 11:52 but they had decided to start serving. She got the refillable souvenir glass (about 16 oz) filled with their pale ale plus 2 tickets for refills for $10 – to share with Reg. By the time she turned from the bar, the line was about 30 people long; it never got better – by the time we left an hour later, the line snaked around the room and out into the inside corridor (probably over 100 people). We assume that some gave up but there was only one small beer seller at the next event (Tillery Park) with a long line when we arrived there so a lot of people remained thirsty. They were giving out free bottles of water though as we left the brewery.

Funniest thing that happened was Reg was talking to a guy in a bicycle helmet about the GPS device on top of his camera (Nikon) – turned out it was expensive. As the conversation went on and we told him where we were from, he said “Were you at the downtown market this morning?” [yes] “We saw the Ontario license plate with the Austin Lounge Lizards bumper sticker and commented about how these people had come a really long way. Sort of interesting because the market is pretty small (somewhere between St. Marys and Stratford size) and not that many people go there, plus there are other markets in the city.

We rode our bikes to Tillery Park but the crowds were more than last year and the space for music watching was very small plus there was no food and it was 1:30 and we were hungry as well as a little drunk from the 3 big glasses of beer we had shared. The band was R & B (Latasha Lee and the Blackties) – okay but not our favorite kind of music so we rode to the next location (a lumberyard) hoping to find a restaurant on 5th St on the way but no luck. At this point, we decided to ride back to the brewery because there was a restaurant (Mettle) in the same building along with a glass blowing place and a few other things. The restaurant was a bit overwhelmed with the numbers of people (apparently no one had told them about Mapjam and none of the staff or management had noticed all the write-up about it in the paper). It’s a little on the upscale side – Reg had fish (sea bass) and chips that were really good; Kate had Caesar salad with candied walnuts and Balsamic – good but not great – made with the white romaine hearts (Kate prefers the green outer leaves). Food was not overly priced ($11 and $8) but the glass of wine we each had was pretty expensive ($11 for my South African Chenin Blanc and $12 for Kate’s California Russian River Chardonnay – expensive but excellent).

We then rode back to the lumberyard where a kind of punk band called Growl was playing to the huge crowd there. Kate sat on some logs/lumber (along with other people doing the same) while Reg shot some pics and then we decided we had probably had enough and rode our bikes back to the car then home for an evening at the CactusCafe.

Cajun at the Evangaline Café:

The final band documented in the photo album is Charles Thibodeaux & the Austin Cajun Aces who we saw at the Evangaline Café. I like Cajun and Zydeco music. Austin is a great place for a diversity of music and these guys play authentic Cajun music — squeeze box and all! There's several bars/restaurants that make an event out of Mardi Gras.

We originally had intentions to make a side trip to New Orleans and Louisiana to see a friend and catch some Cajun/Zydeco music. As I had a bug for most of our visit we weren't able to do that.

Wednesday, March 5, 2014

Austin Music

Click for Photo Album
Austin is Live Music and that's one of the main reasons we take our winter holidays there. This album is a collection of photos from various shows we went to during Feb-Mar of 2014. See also the albums for Strange Brew and the El Mercado where we returned many times.

The Cactus Cafe on grounds of UTexas is a folk club with a long history of booking important folk acts. We saw the Austin Lounge Lizards and really enjoyed ourselves. They're very funny and we've been hoping to see them for years. Another night we went to see Terri Hendrix (with Lloyd Maines) who I have followed for years. We missed Iris Dement at the Cactus Cafe (tickets were gone by the time we discovered, then a second gig was booked and it sold out before we knew about it). The night we saw Terri Hendrix was the same night that Kinky Friedman and Billy Joe Shaver were in town at seperate gigs!

We went back to the Broken Spoke for dinner one evening and to see Amanda Cevallos. James McMurtry, who we've seen before a couple of times, plays a midnight gig with a full band at the Continental Club -- we caught an earlier solo acoustic gig in the Continental Club Gallery (above the club). He can make a twelve string sound like a whole orchestra. We caught Charles Thibodeaux and the Austin Cajun Aces at Evangalines where they play every week. I'm a big fan of Cajun and Zydeco music. Cajun... Acadian... Canadian...

Mapjam is a day long musical event in east Austin sponsored by the UTexas radio station. On a sunny day you can bike or walk between outdoor events. We caught the "Carper Family" (a bluegrass outfit) and Hops & Grain (a brewery) and a punkish band "Grow" at a lumber yard (odd venue for sure).

A big treat for us was to see Chris Wall at the Twin Creeks Dancehall. Chris is a great song writer -- "I Feel Like Hank Williams Tonight" was made famous by Jerry Jeff Walker. We got a snap of Kate with Chris.

The best of all was the happinstance of catching Joe Ely's live to radio KDRP at Geuro's on our last night in town. We were aware of the KDRP radio broadcasts but hadn't investigated who played at them (they're not listed in the Chronicle). On our last night we stopped into a pizza joint across the street and recognized Joe signing when we got out of the car. We dashed over and caught the last half hour of the set. We wish we had known before hand.

Anyways, there's lots of live music in Austin.

I've blogged as well. Here's a photo album.

Friday, April 12, 2013

The Flatlanders

On Tuesday night (April 9, 2013) we were again fortunate to see The Flatlanders (Joe Ely, Jimmie Dale Gilmore and Butch Hancock) at the historic Horseshoe Tavern on Queen Street in Toronto, Ontario. We enjoyed them at Antone's in Austin back in February and decided there and then to see them again when they came to Toronto. Our excuse, a modest one, was Cindy's birthday. She and Pat were great fans of this music and had introduced us to the artists as individuals and as The Flatlanders. It was pay back time for Cindy and, I know, she was pleased to see and hear them.

We drove over to Toronto on a dreary wet afternoon, had dinner at the Peter Pan Bistro just down the street from the Horseshoe and returned home after the show not getting to bed until after 2:00am. The doors opened at 8:30 with Joe Pug fronting at 9:00 (he joined The Flatlanders for a couple of tunes near the end of their show) then The Flatlanders a little after 10:00 with their show ending around 12:00 (a far cry from the early show at Antone's). It was a long day but well worth the drive.

The photo is Joe Ely who is probably the more famous of the trio -- certainly the most prolific with an extensive catalogue of music to explore. While Butch Hancock is perhaps the most prolific writer of the three (they all write) and Jimmie Dale Gilmore has the signature voice I've come to appreciate even more the music that Joe Ely writes and performs. He sang a song I had not heard before, "Not That Much Has Changed" from his last album "Satisfied at Last" (2011), that brought me to tears. It's a sentimental story of returning to your home town where not that much has changed -- "the grass is a little drier, the trees are a little higher.... the drug store is still for sale, they still sell cotton by the bale." A simple story, with well worn lines but moving none the less. You could easily imagine a prodigal son returning to the small town of his child hood in the flat lands of the West Texas where nothing much has changed.. That's where it began -- West Texas and the fertile grounds of Lubbock where, by happy coincidence, a motley crew gathered in the early 1970's to found a new kind of country music.

They asked if anyone in the audience had ever been to Lubbock. While it was a fan filled house very few had ever been. They talked about their early years together in those dry lands where, as children, they had never seen a "stream" -- it's very dry and dusty out there in the flat lands. Dry lands, cotton by the bale? Well yes they grow cotton on the Texas flat lands. Some irrigate from deep wells, dry land farmers and pray for rain.

Sow the seed in the ground below
Fall to your knees and pray real slow
That rain will come and kiss the seed
And Bless you with all that you need

That's from another song which really moved me -- "All That You Need" from Joe Ely's 2003 album "Streets of Sin".

There were lots of songs from all of The Flatlanders that stick in my memory.  Of course they did their 'hits' like "Dallas From A DC-9", "Tonight I Think I'm Gonna Go Downtown" and more from their  1972/1990 'debut' album "More a Legend Than A Band".  But some of their more recent tunes made an impression -- the why haven't I heard that before experience. Jimmie Dale Gilmore did the song "No Way I'll Never Need You" from The Flatlanders 2009 album "Hills and Valleys". That one is a love song with a jaunty Tex/Mex rhythm and has been quite an ear worm ever since. Butch Hancock sang "Thank God For The Road" from the same album. I have that album, I need to take the time to listen to it!

This show was a little different from the Antone's show. There was the same hot band with solid bass, drums and hot electric guitar. But there was also an opening act Joe Pug -- a three piece band from Chicago (via Austin, Texas). Joe Pug is a young buck who had an interesting story about touring in small town West Texas with Joe Ely. He was out and about getting breakfast, buying some beer, etc. in this very small town where everyone he bumps into keeps saying how they were looking forward to his show that night. After a while he starts thinking, hey there's something great going on here, everyone is keen about my music, I'm moving on up, etc. Then he sees his reflection in a store window to discover that he's wearing a Joe Ely T-shirt. Ah, now it makes sense -- everyone thinks I'm Joe Ely!

Another difference -- they came on later (no early to bed for the geezers from St Mary's) and played longer. They spent more time chatting with the audience -- explaining how they got together in Lubbock back in the early 1970's, how their first album was recorded in 1972 and only released in the UK some 10 years later then in the US another 10 years later. Their latest album, "The Odessa Tapes", was recorded way back then in Odessa (several hours away from Lubbock) and lost for years.

There was a time during the show where the band left the stage to leave the three to chat with the audience and played acoustic to swap songs like in those early days when they shared a home together. Stories were told of Butch dreaming a tune in which Jimmie sang; and how the dream had only revealed part of the song and so Butch had to go back to sleep and rewind the tape player to find the rest of the song.

In homage to the music heard on so many of their albums Butch played a bit of "jaw harp" to accompany his friends. The acoustic set was an intimate moment and a bit of relief from the "big band" sound.

It was a great show with an older and reverential audience who hung on every word of each song -- even the opening act held the audience in his hands. We were all there to hear these songs. To hear them again and to hear them anew. And the sound system and acoustics of the venue was perfect to showcase the music. It would have been a show worth recording -- "The Horseshoe Tapes".  But sometimes an experience is best recorded in your memories and a few photos.

We especially enjoyed how the three swapped tunes back and forth. They're equal voices who often trade off verses on a song and share the chorus. When a single voice carries a tune we're surprised to discover that the song is written by one of the others but seems tailor made for the voice who carries it. They play together and showcase one another with no egos in the way. There are no stars here.

We enjoyed all the tunes they played and are keen to research our music library (hats off to Pat and Cindy there) to hear them yet again.

To end the night they encored with Townes Van Zandt's "White Freightliner Blues" as they had at Antone's and as a second tune in the encore they played Terry Allen's "Gimme a Ride to Heaven Boy". Terry Allen, again it's Pat who introduced us to that weird duck, was apparently part of that motley crew from their Lubbock youth. I didn't recall that connection! The story in the song is a weird take on picking up Christ hitch hiking with twist on how "He" works in very mysterious ways. Terry Allen is another artist that I knew a little about but have come to realize that I ought to know more. And then of course there's Lloyd Maines -- another one of the Lubbock crowd who is so pervasive in this Texas music Pat showed us. And don't get me started on the Jo Carol Pierce connection! Lubbock, what a rich breeding ground for so many interesting artists.

We were told that The Flatlanders were to play Carnegie Hall NYC on the following evening. I wonder how music that works so well in this small venue will sound in a big hall. One certainly won't have the same intimate experience as in this small bar. While the sound experience of Carnegie Hall is renown it's not the Horseshoe Tavern.

The Horseshoe is 65 years old. A tenuous 65 years with some near death experience. But it survives and is in pretty good shape with a good sound system, nice acoustics and a respectful audience. We've seen some important music there over the years -- Jerry Jeff Walker, Eric Bogle and Robert Earl Keen come to mind.

It was a pleasure to return to the Horseshoe Tavern and a great privilege to see The Flatlanders again.

Saturday, February 16, 2013

Hug-In Dance

Saturday was a full day for Kate and I with her brother Gord and his squeeze Val at the Luckenbach, Texas Hug-In. That's a Valentine's Day celebration in a tiny village (population 3) made popular many years ago by a Waylon Jennings song entitled "Luckenbach, Texas". There's a general store cum bar and a dance hall -- oh yes, there's the feed lot and an outdoor crapper. But there's also lots of huggers camping, pickers picking with the chickens under the live oaks and just generally hanging out drinking beer, telling lies and singing songs.

Luckenbach's hey-days would have been in the 1970's when it was purchased by an eccentric hill country character by the name of Hondo Crouch. It became a hang out for the developing Outlaw Country music movement -- Waylon Jennings, Willie Nelson, Jerry Jeff Walker and more. You can drop in most days to find someone plucking on a guitar and singing some songs. It's a testament to it's popularity that you will find it on most road maps even though there really is no village there. Population 3 is an exaggeration.

Back in Austin we met a server at Joe's Crab shack who said he came from the Fredricksburg area (Luckenbach is about 10 miles from Fredricksburg) but had never heard of Luckenbach. He was a very nice friendly fellow but we told him he lost his Texas-cred on that one.

Kate and I enjoyed an afternoon outside under the live oaks drinking beers and listening to the singers and poet. Gord and Val explored the village and hung out in the camp grounds where they have adventures to tell. We retreated into the store to warm up around the wood stove when evening arrived while Gord and Val grabbed us some seats in the dance hall for the evening's adventures starting at 9:00. We grabbed a corner table in the tiny bar. Kate had brought her guitar (we travelled to Texas with bikes, cats and guitar!) with the intention of encouraging others to sing. It worked! We had a wonderful time sitting in the some of the pickers and even joined in on a few

Luckenbach is about an hour and a half out of Austin and as I was the designated driver I kept my wits about me and stayed sober. We had been to the hug-in several times over the years (the first time we found Luckenbach back in 1990 was a hug-in) this was the 38th annual hug-in. And this was the only time and I was able to stay vertical for the dance.

Gary P Nunn and the Bunkhouse Band played the dance hall at 9:00. The hall was packed as pictured above. Fortunately Gord and Val had saved us a seat else we would have been standing -- and Kate can't do that! We were glad of the opportunity to enjoy the music with the 3-500 in attendance.

We've seen Gary a couple of time before at the Broken Spoke in Austin (another old time dance hall) and this is music just made for the dance hall and the Texas 2-step. You will be familiar with the song London Homesick Blues made famous as the theme music for Austin City Limits with the famous "I wanna be home with the Armadillo" refrain and perhaps the haunting What I Like About Texas which enumerates some of what we love about the state. Gary has a ton of great tunes and the Texas-cred to go with them. He's one of the gang that made Outlaw Country what it is today -- Gary was in the Lost Gonzo Band and sang London Homesick Blues on Jerry Jeff Walker's Viva Terlingua album recorded live in this same old dance hall back in 1973.

Gord and Val were dancing the night away while Kate and I played it low key -- with her bum knee dancing was not on our radar. For some a snooze in the car seemed the better part of valour..

We crept away at midnight to the sounds of Gary P Nunn playing "Reggae Armadillo" -- it's time to leave when they parody their hits. An uneventful drive back to Austin with three passengers gently cutting wood made for the end of another perfect day.
"You ask me what I like about Texas? Well I could tell you, but we'd be here all night long." -- Gary P Nunn

Thursday, July 27, 2000

20th Anniversary

Click image for more photos
We celebrated our 20th Wedding Anniversary with a luncheon dinner party July 27, 2000 at the Westover Inn here in St Marys. We were married August 2, 1980 in London at the University of Western Ontario where Kate and I were in graduate school. These days I'm working at the University of Waterloo while Kate continues with CAMH (and it's evolution from ARF).

This party was sponsored by Kate's parents — Jack and Doreta. Kate says Doreta was always a bit disappointed that our wedding dinner wasn't more "formal". On our wedding day we had a buffet dinner catered by Food Services and served in Sommerville House at Western where we were married. This today was quite different — an elegant service with gourmet food, white table cloths, stemware, fine china and more. We had planned on having about 50 guests but it turned out there was about 60 of us who came and we had to take over two separate dining rooms at the inn.

We had all of our bridal party in attendance except for Monica (Gord's first wife was an attendant for the bride and we've lost track of her). Alison Preston was the maid of honor with Joan Watson as the other attendant. Mike Schwan was my best man with Gord (Kate's brother) and Ken Edmonstone (my nephew) as groom's men.

I don't recall any speeches that day but I do recall that both my dad Maurice and Kate's dad Jack took an opportunity to say a few words. Jack told a long and winding shaggy dog story, we wondered where in the heck he was going, which ended in a punch line about a "cat scan and lab report".

The day had started with cocktails and a visit outdoors on the patio deck at the inn, followed by the luncheon indoors, and ended with more drinks and tom foolery at our home and on our deck. The day started sunny but by the late afternoon a gentle rain had started that made for some summer tobogganing on the slope in our back yard. Leo, Paul (my younger brother) and I would take turns pulling a plastic sheet with a rider on it down the hill. We had done this before when the kids were visiting so it wasn't that weird. There's a picture in the album of Leo and me pulling Cindy on a ride down the hill. I worried that we might trip on the way down but, although we were winded, there were no casualties that day. Sam's husband Al took it as an opportunity to do a sliding dive into some wet grass — still crazy after all these years.

One of the interesting and traditional things we did for our party was to serve some of our original wedding cake. We had been keeping it wrapped up in our freezer all these many years. The other was to give everyone a C90 cassette mixtape of "Hits at our House" — that tape is now in my iTunes library as well as available on my YouTube channel. There are many tunes there that still mean a lot to us. Here's that playlist with the original commentary:
  1. Marilyn & Joe (Kinky Friedman). Our trailer park love song.
  2. Weekend Punks (63 Monroe). We were weekend punks ... for a while.
  3. Passing Through (Leonard Cohen). I'll always remember that bus ride!!
  4. London Calling (The Clash). A favorite punk band.
  5. Night Rider's Lament (Jerry Jeff Walker). Life's about choices — marrying you was one of the good ones.
  6. General Strike (DOA). Our favorite suburban punkers (we like their politics as well as their music).
  7. One More Spring (Garrison Keillor). A good excuse to go to Mpls (we did too — to see the PHC show).
  8. Sonny (Jean Redpath). Another song we both love and another definition of Canada
  9. Reason for It All (Eric Bogle). We saw Eric at the Horseshow Tavern and will again on our anniversary.
  10. Rodeo Wind (Chris Wall). Cowboy music should be defined by songs like this.
  11. The Crawl (Spirit of the West). Been there, done that.
  12. Passionate Kisses (Lucinda Williams). Pat introduced this to us by making Reg wear headphones to listen intently.
  13. Fairytale of New York City (The Pogues). It's just so much fun to sing "you scumbag, you maggot!"
  14. Memories of East Texas (Michelle Shocked). I think of Kate as a girl who has seen the ocean.
  15. Gulf Coast Highway (Nanci Griffith). Just a great love/life song (and another artist Pat introduced us to).
  16. Road to Bayamon (Tom Russell). Life is a circus on the Road to Bayamon (Reg wanted "Homestead Steel").
  17. Crossing the Causeway (Grievous Angels). Our dessert island band — about 10 years running.
  18. 45 Years from Now (Stan Rogers). Make the most of the moment.
  19. Corpus Christi Bay (Robert Earl Keen). We've had great times in altered states and the state of Texas.
  20. Pico de Gallo (Emily Kaitz). We were in the audience when they recorded this one!
  21. What I Like About Texas (Gary P. Nunn). People wonder why anyone would like Texas — here's a few reasons.
  22. Dublin Blues (Guy Clark). We've seen the Spanish Steps and the David (and I loved you from the get-go).
  23. Rivers of Babylon (Steve Earle). Psalm 137 — religion makes for some good music.
  24. In Spite of Ourselves (John Prine/Iris Dement). She's my baby, I'm her honey.
These photos, probably none that I took, some that Kate took and many by friends and family who shared with us, were in a small photo album which, at Kate's urging, I scanned during the summer of 2023 (some 23 years after the fact). When I look at these photos there are many fond memories of the event, the people and that time. Some of friends we still hang around with, some of friends and family who have passed away, and some of friends who have simply drifted away.

In My Life —
There are places I remember
All my life though some have changed
Some forever, not for better
Some have gone and some remain

All these places have their moments
With lovers and friends I still can recall
Some are dead and some are living
In my life I've loved them all

But of all these friends and lovers
There is no one compares with you
And these memories lose their meaning
When I think of love as something new

Though I know I'll never lose affection
For people and things that went before
I know I'll often stop and think about them
In my life I love you more

Though I remember I’ll never lose affection
For people and things that went before
I know I’ll often stop and think about them
In my life I’ll love you more
— Lennon & McCartney 

This note, these photos and the YouTube playlist were created during the summer of 2023.