Monday, April 8, 2024

Total Eclipse

Click image for more photos ....
There was a total eclipse of the sun today, Monday April 8, and Kate and I tried to take advantage of it.

There was a partial eclipse a few years ago (2017) that we remember and we both have vague memories of similar partial eclipse's from our early childhod years. Kate had read quite a bit about this event and the importance of seeing the totality — it goes completely dark like night-time and you can actually see the stars (if it is clear of course). The position of the moon for this eclipse was such that it would cover the sun exactly right — not too big, not too small. Here in St. Marys they were to see 99% coverage where it would be more like a twilight — not completely dark. So we made plans to go to Niagara Region with friends, Erich and Lisa, who live in Burlington. We stayed overnight with them on Sunday and drove together for the day.

In Burlington they would be closer to the totality but still at the edge. Niagara Region (Niagara on the Lake, Niagara Falls, Buffalo, etc.) would be right in the totality and we wanted that experience. It turns out that Burlington is about an hour from the Niagara Region (an hour going there and much, much longer returning). We might have instead drove directly from here; if we had that would be about a two and a half hour drive. But, we were worried that there might be a big traffic snarl getting there. There was a "state of emergency" declared for the region in anticipation of a large turnout — I recall forecasts that a million people would be there! Staying overnight with friends nearby seemed like a better plan.

Our friends, Lisa and Erich, have a lovely home with a view of the Hamilton Harbor and the steel plants on the other side. Overnight the view is sometimes a bit like Dante's Inferno with flames and steam lighting the sky. Monday morning arrived with a heavy cloud cover. Many of our friends in SW Ontario had a similar morning experience. It did not bode well for any of us.

Erich is an old friend of mine — we were both computer science students at Western and lived together for several years in what Mike called "The Horbinger Home". We had lost touch but we re-connected just before the pandemic. There's a gang of us from those many years ago who share stories over a video conference call every couple of weeks. Erich is a jolly likeable guy, always joking — it would be hard not to like him. Erich and Lisa are quite social and kind to have us to their home for this and other events. We do enjoy our time together.

We had made reservations to see the eclipse at "Between the Lines Winery" starting at 2:00 and had lunch at a nearby restaurant "Bricks and Barley" in Virgil recommended by the winery. Both are a very short distance from Niagara on the Lake (a quaint Victorian contrast to the hub-bub, casinos, and carnival atmosphere of Niagara Falls). We had looked at staying in Niagara Falls, we had been there last year for my birthday, but the prices had sky rocketed knowing that there were many who wanted to be part of the event.

Getting to Niagara was no problem at all but the skies remained overcast. We arrived well before the restaurant opened, spent some time exploring an antique shop in Virgil and had a drive through Niagara on the Lake before returning for our lunch. You could see in Niagara on the Lake that there were a lot of visitors there for the eclipse. The parks were busy, people were getting set up to catch the eclipse, and there wasn't a parking space to be found. Clearly, not everyone was in Niagara Falls. The restaurant was busy for a Monday. It's a nice sports bar with too many TV's to distract you. But the service was good, the food was ample and we enjoyed our lunch together. If nothing else, we could visit with each other.

At the winery the set-up wasn’t as nice as we had been expecting but we got chairs and a table (the last ones – the other option was picnic table which would have been icing on the icing or camping out on the ground as many others were). But it was cloudy, overcast, a bit windy and quite cool. Fortunately it wasn't raining; although it looked like it might! We didn’t have enough clothes (at least Kate was cold the whole time). And then there was nothing to see. The only saving grace was that it did get very dark and that was really interesting. If you are near a total eclipse, I would highly recommend seeking totality. However, although dark as night, the clouds prevented us seeing any stars or the eclipse itself. It was a bit odd to be in the middle of this darkness (at around 3:20 for a few minutes) with what looked like a sunrise peeking out all around in every direction at the far distance.

The winery provided some tastings that we shared. Lisa doesn't drink, she was our designate driver. But we didn't drink that much anyways. Any of us could have driven home. We joked a lot about "The Rapture" and on the way home I noted a sign some zealot had posted: "Rapture - Almost Home. Jesus is coming back soon". Who ever posted that I bet they were disappointed God didn't take them home; I know I am. A friend Carol, in response to a Facebook posting on the subject, tells me:

"[At] breakfast the morning after the eclipse one of the servers commented that they had Jehovah Witness relatives who were planning for the rapture that was sure to happen during the eclipse. Jim asked her if she spoken to them yet that morning."

Thankfully we poor sinners were not taken by the rapture. As the darkness started to lift, the clouds parted a little and we saw a sliver of the sun and that was it. Kate was so disappointed. It didn’t help that friends in St. Marys, Burlington and elsewhere were writing to tell us how great it had been (“amazing” – Kate doesn't want to ever want to hear that word again). Apparently, the clouds had parted and it had cleared everywhere but in Niagara. Damn! Many friends we had convinced to take the event seriously and all who got to see it were impressed. Peter and Colleen have some great pictures of the totality that they caught near Cornwall a little later that day.

At that point, Kate is pretty disappointed but still okay. At this point we should have pulled into a bar, commiserated and maybe got drunk – something to make ourselves feel better but instead we headed back to Burlington in hopes of avoiding the traffice. Traffic wasn’t bad when we left but it got worse and worse until it was going very slow. When we left the winery, the mapping program told us it was 52 minutes to home. An hour later we were still 52 minutes from home and approaching the Burlington Skyway (a very long bridge) and Kate had to go to the bathroom. We did not want to chance being stuck on the bridge so we took one of the last possible exits and found a washroom at the local Walmart. We all went in to pee (except Lisa). The boys really had to go too but they weren’t as worried because they knew they could always go by the side of the road – we had already seen one car stopped for a kid to pee.

Well, it took about 45 minutes to get back on the road and then quite some time to get home. We had a pasta dinner together and Kate went to bed early. There are some end of the day photos of Dante's Inferno across the bay. I stayed up with Erich and Lisa to watch "The Bee Keeper" (2024) — a Bruce Willis styled action adventure starring Jason Statham. IMDB describes it as "One man's brutal campaign for vengeance takes on national stakes after he is revealed to be a former operative of a powerful and clandestine organization known as "Beekeepers."" I collect cameras, Erich collects movies.

Anyways, Kate is determined to see a total eclipse and disappointed that we missed out on this one. As they don't happen very often she suggests we might go to Spain  where there's one coming up in August of 2027. Others comment that "The rain in Spain falls mainly on eclipse days".

Friday, April 5, 2024

63 Monroe/NFG

 
We have a bit of history with the band 63 Monroe (also known first as "NFG" and briefly as "First Date") starting back in the 1979/1980. Their 1980 EP, "63 Monroe/NFG", has been re-released on vinyl (also digital on Bandcamp) on Tony Lima's "Yeah Right!" label and we are peripherally involved. Band credits for the EP are:
  • Steven R. Stunning (lead throat)
  • Markii Burnaway (guitar)
  • Bob Gliddon & Mark Deroux (bass)
  • Peter Lambert (drums)
Back in the day I was into shooting band photos and NFG were an outrageous bunch who played 3 chord hard, hard, rock and roll (i.e., Punk) at the infamous Blue Boot/Cedar Lounge and around town. Their shows were crazy, fun and wild! Kate and I really liked them, still do, and even went to see them on our wedding night after the reception. And, icing on that, we had them play at our 25th Wedding Anniversary. We had them a number of times to our home in London back in the 1980's where we'd drink home made beer and play Trivial Pursuits. We still have contact with some of the guys, Facebook is great for that.

Anyways, back to the EP. We had met some of the guys in the band, they knew I was taking photos, and they asked if they could use some of our work. We said sure and some of those photos appeared as contact strips on the back of the original EP. I wasn't involved in the artwork — the cover was great, the back was very amateurish. Most of my photos of various local bands from back then have been shared with various people, here in my blog, and in many Facebook postings. But, with this re-release, my 15 minutes of fame continues.

Tony Lima, formerly of Call the Office (a noted venue in London), got hold of me in January of 2022. He and Scott Bentley (the voice of NFG/63 Monroe, aka Steven R. Stunning) told me they were looking to re-release the EP on Tony's "Yeah Right!" record label and asked if I still had the photos that were used back in 1980 and if I had any others. The plan was to redo the back cover with better sized photos. Conversations went back and forth with us waving any rights to the photos and rescanning a bunch at higher resolution in late 2022. I hadn't heard much on this project in 2023 and was totally surprised when the project was finished and product was announced this month. I wasn't involved with the artwork but I'm pleased with the results. Doubly pleased as I got a photo credit this time!

We digitized the 1980 EP many years ago and have it framed and on the wall. I really don't like playing or listening to vinyl but Tony was kind enough to give me two copies which I picked up at "Speed City Records". With vinyl, you have the artwork. One copy I've passed on to our friends Sam & Albie, the other I'll save for another day. Micheal Todd, who owns the record store, and I had a bit of a chat when I picked up the EP. The original EP from 1980 is pretty rare, if you can find one, it runs about $150. I asked if the reissue made the original no longer collectable. When I pruned my LP collection back in 2022 he was keen to get hold of the original which I still have, but I said no. Some things you hold onto.

Here's a link to the EP artwork -- the original from 1980 and the reissue of 2024.

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There was a bit of back and forth on Facebook over writing credits when the release was announced. Some of it went like this:

Rob Gliddon: So the NFG EP called 63 Monroe, comes out again without crediting any of the songwriters. It was a problem back then and it's still an issue. Simon Lewis wrote 'At The Boot', 'Cyanide' and 'Hijack Victim', I wrote two songs and Mark wrote one. I'm sure the writers of 'Teenage Kicks' might want their credit. More than enough time was available to do things properly, it was just ignored.

Reg Quinton: Rob Gliddon so I am to understand that you wrote "Give 'em up" and "Goodbye Guyana" while Markii Burnaway wrote "After"? "Teenage Kicks" is, of course, The Undertones. They're all great tunes, iconic even. Ps. I was pleased to get a photo credit.

Markii Burnaway: I wrote Give em up.. I am pretty sure Bob wrote Goodbye Guyana .100% convinced the Undertones were behind the creation of Teenage Kicks

Rob Gliddon: Reg Quinton I wrote 'After' and 'Goodbye Guyana' as a response to Simon Lewis's 'Cyanide' Simon wrote the bulk of NFG's original setlist. Later this year I will be releasing a full set of live tracks from the original NFG line-up with Simon. It comes from a Monday night gig at The Boot. It will disprove the idea that the original line-up couldn't play. It rocks like granite.

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Bob Gliddon (Facebook, June 11, in the 1980's Punk Rockers in London, Ontario group) writes about the back story:

Sit back and get a cuppa, this may go on....
 
It's nice to see that the NFG EP, called '63 Monroe' has been re-released. It would have been nice to be asked to contribute to the story. I was asked, but it was only a month ago when the record was already in the stores and online. That is when Tony Lima asked for my memories for the "liner notes". After the release. I offered some input and stipulations at least 8 months ago, but never heard back from anybody. I guess Scott or Tony don't check their emails.

So, here's what was left out of the process.

Before Simon Lewis left to pursue a career, we were doing fairly good, as the receipts given to Simon, (who was our business manager) illustrate. The other thing Simon gave us was several songs he wrote that could make up a whole set. So when he left we were able to immediately go forward with Mark Scott as our new guitarist. Next we got a real manager in Gary Kelly, to handle our affairs.

About that time we were approached by a woman who only wanted to be known as 'Juicy Lucy', with $1000 to record a single. And so into EMAC Studios we went to record the EP, as NFG. We used three of Simon's songs, two of mine, and one of Mark's. The process did not go well, I had issues about the sound, I thought it had no bottom end, as they were listening to the playbacks on massive studio monitors and were giving little thought to what kind of systems it would be heard on. My ideas and wishes were not being addressed and I began to make plans elsewhere.

The recordings were only the latest issue in the band for me. I got us to do 'Virginia Plain', from Roxy Music, and Scott and Mark suggested we do 'Henry the 8th'. I could see we were miles apart on which way to go forward. That, combined with the constant drinking all night at gigs and drinking during the day just sealed the deal, and I left to go and get healthy by bicycling across Canada with my best friend.

So, the EP comes out and I am not happy with the release. Simon Lewis is given no songwriting credits for his three tunes, Juicy Lucy is give no thanks for providing the money to release it. I get no credit for my two songs, and must forever be known as 'Bobo', which I was never called, at least to my face. The one thing that pi**ed me off was they sped up the recording of my 'After' to chipmunks speed. But what was done cannot be undone.

So the credits should be as follows:
    • The EP was recorded by NFG and is called '63 Monroe'
    • Simon Lewis: songwriter of 'At The Boot', 'Cyanide' and 'Hijack Victim'
    • Bob 'Stix' Gliddon: songwriter of 'After' and 'Goodbye Guyana'
    • Mark Scott: songwriter of 'Give 'Em Up'
Special Thanks go out to Juicy Lucy, wherever you are, for giving us the money to record that disc. Thank you for giving me the chance to set the story straight. The two photographs [of the posting] show Simon Lewis, guitarist and songwriter, and the other is original guitarist Larry Gifford, myself and Scott, All were taken by Reg Quinton at the Polish Hall.

There's been a muddled history to the bands. It all reminds me of an Austin Lounge Lizards song, "Would You Like To Start A Band". The history is similar. But putting aside some of the bad memories, it was a lot of fun!

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See also the Dave O'Halloran excellent two part history of NFG...The Band From London Ontario Canada (2018). There's first hand accounts by the players involved; well worth reading.