Monday, December 11, 2023

Christmas Letter

December 11, 2023. St Marys

This note is late – Christmas season is upon us and there’s much to do. So, we’ll try, but fail, to keep it brief. Here’s an update on what we’ve been up to this year.

January. Started with an eventful trip to Ottawa for Gord and Leslie’s “Hair of the Dog Party” (a sort of NY Day Levee/Jam session). We were all pretty tired of COVID restrictions and were looking forward to finally being with people and a return to normal. We hadn’t seen Gord or Leslie in a while and met with Vince, Eva’s beau (Eva is Gord’s youngest – more on her later). Unfortunately, soon after we find out that one of the guests had come down with COVID and shortly after we had the same. Which meant for a pretty crappy January.

February. On the plus side, we thought, we’ll recover and we might as well go to Austin, TX (we hadn’t been since 2020 when the pandemic began). We had arranged a place for February and had made a reservation for 2024 (we are definitely going this winter). Unfortunately, our Honda had other ideas. A major computer component failed, the car was not safe to drive, and the dealer couldn’t get the part and might not be able to get it for some time (computer chip shortages were affecting all sorts of supply lines). We were without the car for a month or so, we had read about others in the same boat who were without for 6 months! But by mid month we were back on the road. For Reg’s birthday (1952) we had a naughty weekend in Niagara and a conducted tour of the wine region. The tour was a lot of fun – there were 7 of us and Reg was the only guy! Later that month there was a fancy Emily Murphy fundraising event at the CafĂ© Buffon in Stratford and the BOOM-X one man stage show by Rick Miller at the Grand in London. Sadly, February was also the one-year anniversary of the invasion of Ukraine; worse yet, not much has changed there. We continue to reach out to our colleague in Kharkiv.

March. We went to the Stratford Chef School’s Graduation Dinner at the Bruce. With COVID behind us we made a trip out of the country to visit our friends Deborah and Jerry in Ann Arbor, MI. There we met a gaggle of wild turkeys in their yard who were proudly flaring their plumes as they court the hens.

April.  We met with Andy Szilard & Pat at Museum London for lunch (Andy was Reg’s prof and thesis supervisor in Computer Science at Western). Peter & Colleen, who had worked with Reg at IT/UWO were dealing with an aged parent and were able to visit us as well. The Beefsteak and Burgundy wine club came out of hiatus with a dinner at the Baseball Hall of Fame here in St Marys.  We went to see our favorite country band, the Rizdales, at the Richmond Tavern in London. But Kate came down with a mysterious illness – it turned out she had a blood infection (a sepsis, hospital for 3 days) and this delayed a planned ankle replacement surgery which was to happen in May.

May. It’s a good thing Kate didn’t have her surgery for we had several visitors. Alison (Kate’s childhood chum) and Barry (her partner) came to visit from Winnipeg. Chris, or No.1 son from Germany, came on a trip to a conference in Florida. We put him to work helping with the garden and moving plants outside. It’s been a year since Reg had his knee replacement surgery, he’s much better but still not 100%. Reg’s wine club met at the “King of Pigs” – a favorite Portuguese restaurant in the east end of London. To top the month, we went to see Grievous Angels at an afternoon gig at the Horseshoe Tavern in Toronto. Charlie Angus (NDP MP and leader of the Grievous Angels) and the band were in fine fettle.

June. We both have a regular weekly get together with friends. Kate’s group continued to meet outside throughout the pandemic even in winter. Reg’s group, a “Bunch of Old Geezers”, are not made of such firm stuff and met regularly with Zoom. But with the warm weather regular outdoor gatherings resumed. June is also the month for Pride events. We attended a parade in Stratford and an outdoor Pride event with the Friends of the Library (the library has been doing a Drag Queen Story Time). At the Stratford Forum they had several Pride events. We saw “Agit-Pop” again and enjoyed it just as much as the last time. Our sister-in-law Judy came to visit and a grade school chum of Reg’s, Sam Bell, dropped in. Sam, who lives in BC, is quite the character and has led an interesting life working in the mining industry around the world. Reg had not seen him since high school, there were lots of stories to tell.

July. Over the summer we caught quite a bit of theatre and many Festival Forum events (e.g., CBC Ideas recorded for a week). There’s a small professional group in Stratford, the “Here for Now Theatre”, that started during the pandemic when the Stratford Festival shut down. They first staged small productions outside on the lawn at the Bruce Inn. This year they set up an event tent at the Stratford Perth Museum with a small stage seating an audience of 50 or so. This year, they did the best theatre we had ever seen in quite some time: “The Myth of the Ostrich”. If you ever see it playing, do go (it also fit with the Women/Pride theme). We had our friends Erich (from Reg’s UWO years) and his partner Lisa down to see “Grand Magic” at the Tom Patterson Theatre (a $100M rebuild which was to open in 2020). In November we had them back to see “Spamalot” (more on that in a moment).

Our gardens were lush this year with lots of plump wild blackberries and currants for Reg’s jam making. We had a huge garlic harvest and made Garlic Scape Pesto when the garlic flowered. Our tomato garden was especially productive – we’ve just finished up the last of tomatoes which were picked green at tend of season and left to ripen when the frosts came.

August. Our anniversary is on the 2nd (it was our 43rd) and our brother David and his wife Gail celebrated their 50th this month. Reg’s brother Tony and his wife Pat from Victoria BC came out to visit, for the 50th anniversary), and stayed with us for a bit. We arranged a Dixon Cousins’ reunion (Reg’s mom’s side of the family) while they were here. Reg took Tony and Pat on a backstage tour of the Tom Patterson Theatre and we four went to see “Spamalot” (the Monty Python musical/revival play) at the Avon in Stratford. It was so much fun (we went with our coconuts to participate) that we went again later when tickets were very reasonable, and then again with Erich and Lisa in November on the last night! We also took Tony and Pat to see “The New Canadian Curling Club” at the Huron County Playhouse, Grand Bend (it’s part of the Drayton Group). We had seen the play when it premiered in Blyth several years ago.

Kate had her ankle surgery in late August at Victoria Hospital in London. This did not go as planned. Her recovery was very painful with many visits to ER here and in London where many different casts were tried, then removed. Ultimately, she ended up in a plastic boot that she could loosen (even remove) at will. The swelling aggravates a pre-existing condition and caused further nerve damage.

September. Kate is coming along, she’s “Not dead yet” (a reference to a bit in “Spamalot”), but struggles continue with casts and recovery. Reg attends a funeral in Markdale for our cousin Ruth Wheildon (Dixon side). Kate could not attend but does have her friends over for a tipple on our deck which is lush now with lots of flowers and greenery. Kate and Sam (her work colleague) wrap up the data collection phase of a study that has been upended by the pandemic. They want to get some data on attitudes and behaviours of male bar-goers in London. During the pandemic most bars were closed!

October. The annual Thanksgiving Gathering of Reg’s family in Walter’s Falls (his childhood home) is Kate’s first “long” car ride. It’s about 2hours due north of us and Kate is comfortable enough in the back seat. But the gathering is somewhat subdued -- there aren’t as many in attendance, the weather is crappy, raining and cool. Kate is uncomfortable with her foot down and we head home early.

Back at home we are preparing for the first frost and clearing plants from our deck. Many we give away (Reg divides plants in the spring, gets them to thrive during the summer, and saves only a few). Over the summer Reg had bought a vintage camera (from the 1960’s), had it restored, and shot a first roll of film. He found a place in Stratford that would develop the film but his first roll jammed the processing machine and was ruined. He’s not been deterred and continues to collect vintage film camera gear (for no good reason, it’s entirely senseless).

Our niece Eva and her partner Vince have a baby Eloise this month. She’s the first great niece/nephew on Kate’s side of the family (Reg has many with the great and great-great designation). But all family are equally great. Gord and Leslie are especially chuffed to be grandparents.

At the end of season, we saw “Much Ado” at the Stratford Festival. We’re not great fans of Shakespeare but this play was updated with lots of contemporary changes. We really enjoyed it. When Kate’s surgery was originally scheduled for May we had deferred much of the theatre events until late in the year. Some of these, e.g. the Margaret Atwood Forum event, she missed.

Kate, who is chair of the Board for Optimism Place (a women’s shelter in Stratford), had a retreat near Goderich where we stayed overnight. On the way we dropped in to Maelstrom Winery near Clinton to sample their wares. We hadn’t been in some time (hadn’t been anywhere in some time!) and gosh they’ve improved and expanded. We’ll have to go there sometime for lunch. Reg spent the day of the retreat tromping around the area taking film pictures with his vintage camera – these actually worked well and were developed without the machinery jamming.

Kate has been retired for several years now and the closing of their office in London has become a reality that cannot be ignored. Kate and Sam worked closely with their colleague Sharon who has just announced her retirement. The office space at the UWO Research Park is no longer viable and will shutdown soon.

Local theatre by the St Marys Community Players can sometimes be outstanding. Their fall production of Norm Foster’s “Opening Night” is one of their best in years. In partnership with the Friends of the Library (Reg is the current chair of the FOL) we had a dinner theatre event with dinner at the Westover Inn that was very well attended. Shortly after the play, which is staged in the Town Hall Auditorium, the FOL had another successful Fall Book Sale.

November. The first snow of the year was on the first day. Reg has been tending to the “Thai Greenery” which grew to over 12’ in our garden – it’s hanging up drying in the basement but there’s a lot of greenery and not much “killer bud” to pass on to family and friends.

You might be excused for wondering what year it is: the Rolling Stones have a new album out and the Beatles have a new single. We go to a Westland Gallery opening and a Mexican restaurant in our former neighborhood. Our old home looks much the same but the trees have really grown.

Reg’s obsession with vintage film camera gear is out of hand. He’s bought a Black Nikon F2 (eBay) and then later in the month a black Nikon F (but he already has a silver Nikon F). That makes three entirely senseless camera, and assorted gear, when we ought to be down sizing! He promises to quit but we’re not convinced.

We went to dinner with our friend Joan at the last night of the Braai House in Stratford. A “braai” is a South African wood fired grill/BBQ and the food here is unique. This is/was one of our favorite restaurants (we took Chris when he was visiting) but, unfortunately, they are closing.

Late in the month we made an Ottawa trip to stay with Gord &Leslie. We met up with Eva, Vince and baby Eloise. Paula, Eva’s sister (the postie from New Brunswick), was visiting as well. We met up with Judy again and together we watched the “Barbie” movie which we all quite enjoyed. We met up with Peter & Colleen on our way out of town and have arranged to see them again, and perhaps stay with them, when we’re back for the “Hair of the Dog” party at New Years. Fingers crossed.

December. This year we’ve been trying to spiff up the front entrance to our house. We had replaced the door and the post on the deck and had been waiting on a landscaping crew to redo the steps and deck (it looked tired with the original shabby outdoor carpet). While we were in Ottawa, we got an email note from them saying, “We’re starting your project tomorrow”. This seemed pretty crazy as we weren’t there and there were decisions we hadn’t made. Nevertheless, they had a plan and moved forward with replacing steps, concrete driveway slabs, etc. We were somewhat distressed, especially when we got a panic call from our neighbor telling us that someone had driven a cart or bike through the wet concrete. Nevertheless, problems were addressed and we are happy with the result -- it really looks nice.

We moved Kate out of her office reclaiming some of her gear (desk, printer, etc.) for office space set up in the basement rec-room. We had gotten rid of the basement pool table earlier in the year (we could not sell or give it away and ended up paying to be done with it) and have recarpeted that area. Our plan is to redo the guest bathroom, we’ve got fellows who will do it, not today but someday soon. After that, we can recarpet the bed room.

Lastly this month Shane MacGowan (Pogues), the singer and writer of many fine tunes, has died proving that, apart from advertising, “Guinness is NOT Good for You”. He was an incredibly good writer and performer in the 1980’s but spent the last decades in an alcoholic fog. The funeral service, there’s lots to watch on YouTube, was quite the event. You would have thought that it was an Irish Pope and not an Irish poet who had died. But his music lives on and many tears have been shed. We’re sure “A Fairytale of New York” will be a Christmas hit again this year. And rightly so. 

Wednesday, November 29, 2023

Senseless Collection

Collectable but senseless
My entirely senseless vintage Nikon collection. I only wanted one (and truly needed none), the chrome F Photomic FTN (eBay), and had collected a few lenses (28mm, 50mm, 135mm, and 35-105mm again on eBay), but then there was a good deal on a F2 (eBay from Japan) and soon after a black Apollo F came up (local dealer) that I could not resist. My wife says it's cheaper, and safer, than my vintage motorcycle fixation. But it's still senseless when film is so expensive and film labs are so hard to find. Nevertheless, I love the history, the fond memories of these solid beasts that were the state of the art, and the silly Rube Goldberg mechanical linkage between meter and lens. My Canon t6i is far easier to use, makes better images, and one of these will have to go. I like the black ones and will sell the chrome version.

From a posting to "Nikon F only film" Facebook group.

Tuesday, October 3, 2023

Hippies/Kelly Mulvey

The Hippies were a London band back in the early 80's. There going to be a birthday party for Kelly Mulvey (the voice of the band) and a reunion of the band at a party in her honor. The photo in this little ad is one of mine. See recent posting (23/09/29) of band photos.

We were unable to attend this party. I gather it was lots of fun.


Monday, October 2, 2023

UIC - Fryfogles

Click image for more photos ...
Our friend Dave O'Halloran (aka What Wave Dave on CHRW) has been sharing on Facebook, with our grateful permission, photos that we had taken of various bands back in the 1980's. Today Dave writes in the Radio What Wave Facebook group:  

"Shared from the [UIC.....the band from Exeter Facebook] group, these pics are by Reg Quinton at Fryfogles London ON 1983. Fred is wearing the same rubber boots as the very first time we saw them in Centralia ON!! We laughed all the way home about those boots and became fans for life of UIC that very night!!

Some pics of UIC at Fryfogles, circa 1983. This was before Dan joined on bass. Pics by Photog Extraordinaire Reg Quinton."

Some Facebook comments: 

Cindy Webb: "Look at Murray and the hat. LoL"

Mike McGill: "Great photos I've never seen before!"

Dan Lovranski: "I love Fred in his rubber boots!"

UIC, for those from elsewhere, was an acronym for the Unemployment Insurance Commission (replaced in 1977 by the Canada Employment and Immigration Commission). In other countries they talk about "the dole" or being "on pogey". The acronym remains in common usage.

I have only the vaguest memories of this event. It's clearly Fryfogles Tavern which was on Dundas Street in London, southside between Wellington and Clarence where the Library now stands. We caught many acts there, it was a pretty good club.

There are some very poor quality photos here, out of focus, over and under exposed. I've spent a bit of time cropping these photos. Usually I'd prune an album down to just the few photos I'm especially proud of and there aren't many here. Dave is more encyclopedic in his choice of photos to share. But for an historical record of a band that was, here it is.

Many thanks Dave for preserving these memories.

Friday, September 29, 2023

Hippies

Click image for more photos ...
Our friend Dave O'Halloran (aka What Wave Dave on CHRW) has been sharing on Facebook, with our grateful permission, photos that we had taken of various bands back in the 1980's. Today Dave writes in the Radio What Wave Facebook group:

Here's some pics of The Hippies at Forest City Gallery from 1983. This is when the FCG was on the second floor on Dundas St. downtown. Pics by photog extrordinaire Reg Quinton

The Forest City Gallery (FCG) was on the second floor of a downtown building on Dundas Street. We saw several interesting bands there over the years. 

Ps. I've convinced Dave to stop using superlatives like "ace photographer". Kate thinks he means "ace" as in the movie "Ace Ventura: Pet Detective" starring Jim Carrey. 

Saturday, July 15, 2023

Middle Aged Rock & Rollers

Click image for more photos ...
Saturday was a rather rainy day which meant that a lot of the St Marys Heritage Festival events were cancelled or postponed; e.g., the Friends of the Library were supposed to be downtown for the street fair which was rained out. One event that was rescheduled into the Town Hall was a planned live music event which was to happen outdoors at Cadzow Park.

Kate and I went to the show which started late in the afternoon. Unfortunately, the show was rather poorly attended with mostly family and friends in the audience. I helped a bit with taping up some of the cables and they asked "Which family are you from?". Kate was only able to stay for the first act; I stayed for all three performances which wound up just before the fireworks event. Fortunately Kate came to get me after the show as it was raining by then. Photos in the album capture some of the event.

The opening act was the "York Street Thought Process". They're a  young local duo described on their Facebook page as "an Indie-folk duo project created by Rachael Frankruyter and Jaron Camp". Jaron we know a bit — we had arranged a 40th anniversary party back in 2020 which, unfortunately, was cancelled with the pandemic. He was to provide the sound equipment and perform at our party. He organized the equipment for this show; there was a lot of gear and it had to be set up on fairly short notice (the library was in the hall most of the day). 

Jaron's dad is Sean Camp who took our anniversary photos. His grandad is Bev Camp — known around London as the "Dancing Cowboy". I talked with Jaron, mentioned that Bev was probably in the city dancing to the Rizdales that afternoon  at the Richmond Hotel. 

Jaron and Rachael are just back from a trip to Newfoundland and mentioned some recordings that they had made there. They performed all original tunes — some individual works, others as the duo. Jaron has graduated from a jazz program at Humber and the influences are apparent. Rachael has a sweet voice and plays with an emphasis on simple melodies.

"The Bone Radlers", the second act, are another local duo (Chet and Aimee) who sang together and played with guitar, ukelele, harmonica and "ugly stick". They opened with a version of Steve Earle's "Galway Girl" and closed with a version of the Great Big Sea's "The Night Paddy Murphy Died" accompanied by the rhythms of the ugly stick. This was a fun band playing cover tunes that I really enjoyed. They have a good following and for good reason — they're far more than competent! They're quite professional. I recognize Chet as having been a member of another local band, the Corduroy Gordons, who have disbanded with some members moving away from the area.

"Roy's Garage", which closed the evening, is a Southern Ontario bar room staple who have been playing together for many, many years. I did not know them or their music. They played loud competent covers of rock and roll staples. They had definitely put in their 10,000 hours.  They're all mature guys — the youngest might have been 40, the oldest looked to be well over 70. To call them middle aged would be generous. 

The show was pretty exciting as rock and roll can be. I took a lot of pictures and even went up on the stage to get some pictures from behind the band. I enjoyed their set which went smoothly; it was a shame there weren't more there to appreciate the music. I spoke briefly to one of the singers (there were two, one seemed to specialize in AC/DC tunes and even had the T-shirt to match) to say how much I enjoyed the show.

I can't find out much about this band on line but bumped into a couple of old references (from the Zurich Beanfest (2018) and a Christmas gig at the Hub (2022), Stratford) that are similar:

“They don’t fix cars and they don’t ride bikes…but they are the soundtrack for those that do”.

With over 20 years in, Roy’s Garage (created by Darryl Romphf) is still running on a full tank, entertaining and energetic as ever.

A Southwestern Ontario bar room staple, the Roy’s always serve up a refreshingly strong cocktail of good time Country & Rock n Roll, full throttle with the tires smokin'.

I see that they will be playing at the Windmill Campground (just north of St Marys) on September 3.  

A final comment/observation: it's odd how folkies switch and tune instruments before each tune. Middle Aged Rock & Rollers (who are so damn cute) come with a stack of guitars but never switch instruments or spend much time tuning. They just get up there and play! Those 10,000 hours have polished their performance.

See also






Monday, July 10, 2023

Nikon F Photomic FTN



Cameras, cameras, cameras ... I've been a long time amateur photographer starting with a plastic Diana 120 roll film toy camera back in grade school in the early 1960's. More properly, Kate and I just take a lot of photos, especially travel photos from our adventures captured in this blog. So, let's say that counts as being an amateur photographer. Over the years we have had a lot of different cameras; mostly single lens reflex (SLR) progressing from 35mm film to digital since 2004. But there have been some digressions to other film formats.

Today, July 10, I bought a Nikon F Photomic FTN 35mm film camera on Ebay, pictured above. The camera is vintage circa 1970 -- from the serial number I understand it was made sometime between 7/67 and 9/67 when I was a lad of 15. I thought I'd write a bit about the cameras that we've had, the ones that got away, or that didn't live up to expectations, and try to answer Kate's question: "Why in God's name did you buy that!"

The short answer is the Nikon F (1959-1973) was the first 35mm single lens reflex interchangeable lens system camera that got pretty much everything right. Before that the popular cameras were rangefinders (or boxy point and shoot cameras). The Photomic series (the Photomic T, then Photomic TN and finally Photomic FTN) was the first SLR with a built in light meter, with through the lens metering, coupled to permit open aperture viewing with stopped down shooting. It was the photojournalist camera of choice in those years. It was, and remains, a milestone in photography  — a camera I've always wanted to have and hold.

Toy Cameras —

Back to my history .... I've already mentioned the plastic Diana 120 roll film camera which would have been around the early 1960's. I don't know what became of that camera but I did experiment with another one around 1980 when I played with street photography. I recall the Diana was totally manual, you guessed the focus and exposure. It took crappy out of focus pictures and it was expensive, especially for a kid, to buy the film and then have it developed and printed. Over the years there has been an art cult around the "soft focus" effect which is a result of the cheap plastic lens. I never produced any "art" and I never liked the "point, shoot and hope for the best" method. In later years fell in love with SLR photography. The Nikon F Photomic is an historical landmark camera in SLR (Single Lens Reflex) photography.  It was the first integration of mechanics and electronics.

My first camera, as an "adult" in the early 1970's, was a Polaroid Swinger Model 20. Again, this was a toy that was expensive to use and produced pretty crappy results. I seem to recall that it used messy roll film that you peeled apart after exposure. Polaroid went out of business (bankrupt in 2001) and, even if I still had the camera, you cannot get instant photography film for it. Kate's parents had a Polaroid SX-70 Model 1 folding camera in the 1980's. It was a lovely camera, we have digitized some of the photos they took, but again it was expensive to use. It's expensive to buy now and I don't think you can find film anymore (actually you can but it's frightfully expensive).

The 35mm SLR Divide —

My first "real" SLR camera was a Praktica SLR, (35mm film, match needle exposure, with the M42 screw lens mount, East German manufacture), which I bought in the late 1970's while working as a Teaching Assistant after my Masters. I can't recall the model designation, it might have been a Praktica LTL. I never had lenses beyond the 50mm lens that came with the camera. I did a bit of black and white photography, not much, but a bit. In grad school, I started a Ph.D. in Philosophy around 1986, there were a number of friends who were "into" photography. They helped to shape my aspirations. I recall my friend Howard who had luckily found an old Leica rangefinder at a garage sale and Neil who had a Canon AT-1 SLR (an modern match needle exposure). There's a contrast there between the collectable (the Leica) and the functional (the Canon). My Praktica was the cheap but serviceable middle ground. I recall that my friend Martin, he's in Germany now, had a Zenit SLR (Soviet manufacture) which was a very similar.

I travelled to England in May of 1979 for a biking holiday staying with Martin and his family. One day, while in London, the camera slipped off my shoulder, fell to the pavement and the prism housing ended up cracked and dented. The camera still worked ... sort of but I ended up replacing the camera body with a Cosina. That was a somewhat better camera manufactured in Japan — but still a screw mount M24 that would use the lens from my now broken Praktica. I can't recall the model designation, it might have been a Cosina CSR (or CSL, or CSM. I didn't hold onto that camera very long.

The Auto-Exposure Divide —

On my return from England, in the fall of 1979, I traded in that screw mount Cosina for a Canon A-1. This was a top of the line interchangeable lens (the FD breach mount) 35mm with built in light meter, Aperture Priority (you set the F-stop), Shutter Priority (you set the shutter speed), manual and program mode (the camera does it all). It was a great camera and a gigantic leap forward in technology. A lot of my punk photography of the early 1980's was taken with this camera. Shortly thereafter I bought a Canon AE-1 Program (Shutter Priority) and accumulated accessories and a few lenses — I recall having a Soligor 135mm/f2, a Canon 35-70/f4 (which I loved), an early Vivitar zoom, a Sigma 16mm fisheye, power winders for both and a Vivitar 285 flash kit. The Canon AE-1 I gave to another niece when technologies changed and I had a Canon 630 (more in a moment). The Canon A-1, with the 35-70/f4, Kate fell in the ocean in the Algarve, Portugal in 1999 and it was ruined. I gave it to my brother Paul who used it as an "objet d'art". It was a great camera, the only thing missing was auto-focus.

Diversion: In the 1980's Kate bought me a Yashica A twin lens — another 120 roll film camera (not the MAT-G with the winding crank; this was pretty basic with a winding nob). The MAT-G had a built in meter, mine was "by guess or by golly" exposures. This was a twin lens camera that might have been popular in the 1950's. I found it awkward to use but do have some images taken with that camera. At that time we had a basement dark room and developed the film ourselves. I seem to recall that when I got bored with it we passed it on to our niece Paula, who was experimenting with photography. Recently I have scanned some images taken with that camera.

The Auto-Focus Divide —

In the late 1980's camera technologies had advanced to include auto-focus. The A-1 and AE-1 where manual focus with automated exposure modes (Program, Shutter Priority, Aperture Priority). Kate got me a Canon EOS 630 (it might have been a 620, again I can't recall the model numbers) around 1990 when the camera came out. This camera had autoexposure and autofocus as well as auto film advance. Canon was slow off the mark with auto-focus but this camera worked very well for me throughout the 1990's. Of course this new technology required a new lens mount (for the camera to communicate with and control the lens motors which managed the focus and aperture stop down). The older mechanical FD lens mount was replaced with the all electric EF lens mount. We ended up with several Canon EF lenses: a 50mm/f1.8 (the kit lens which I still use), a 20-35mm/f3.5-4.5 (which I gave to Chris when I moved to the current EF-S cameras), a 28-80mm/f3.5-5.6 and 70-210/f4 zoom.

Diversion: An interesting camera from this era was the Yashica Kyocera Samurai X3.0 35mm Half Frame Film Camera AF (circa 1990). It was an advanced amateur camera with a good zoom range and auto everything. It had an odd shape — most often people would think it was a movie camera. This would produce reasonable prints, I never was happy with the small slides. Unfortunately one day we left it somewhere, probably a restaurant, and didn't even notice it was missing for quite a while. It was an interesting film camera but never became popular.

I upgraded to a Canon EOS A2 in the late 1990's. This was a top of the line camera for Canon with a wickedly fast film advance. I bought a vertical grip which oddly it didn't include any extra batteries. The Canon F1 and F1(new) were professional grade sturdy workhorses at that time but this camera outperformed them in automation. A friend had the A2E which tracked where you were looking in the frame to select the focus point. I didn't go that far! This camera served me very well until 2004 when, on our second trip to Australia, we went digital with the Minolta A1. The last time I shot film would have been in 2005 with this camera. On a trip to Las Vegas and area when we discovered we had left the charger for the Minolta A1 in Cuba.

Diversion: An interesting sideline during the 1990's was the Canon ELPH (1996). This was a very interesting design that did not take off. It was ultra compact, auto-everything, with an unusual film format (APS film is similar to 35mm but smaller). It was drop in film loading and, when exposed, the film canister was the storage device. You never touched the film. At the time digital cameras were becoming more popular and it was often mistaken for one. The Canon EOS A2 and the Canon ELPH where the last film cameras we used. Our digital Canon PowerShot SD1100 (circa 2008) was an 8MP camera with a similar size and shape.

The Digital Divide —

In March of 2003 we made our first trip to Australia via Hawaii when Kate had a conference in Fremantle (a suburb of Perth WA). We were away for a month an shot 35mm film which we transported with us. Shooting a roll or two a day meant that film occupied a lot of luggage space. The next year Kate had a sabbatical leave January-June (2004) to work with colleagues in Australia and she insisted that we were not going to pack that much film. We moved to digital with the purchase of a Minolta Dimage A1 (6MP) in November of 2003 which served us well for several years.

The Minolta DiMage A1 was an interesting camera well suited for travel. It came with a fixed lens (you could not change the lens). Fortunately the effective zoom range (if translated to a 35mm camera) was 28-200mm/f2.8-3.5 so there wasn't much need of another lens. It had a built in flash, a rear viewing screen and an electronic viewfinder. It was auto-everything and even had auto image stabilization. It used Compact Flash memory cards which were quite large physically (the SD cards common now are much smaller) and quite small for storage — this was the period when you'd strip your memory cards onto your computer every night. I was never too keen on the electronic viewfinder, it was quite a compromise from real through the lens viewing. And it was an awful pig for consuming power. The first day in New Zealand the battery went dead on me. I learned to leave the camera powered off when not in use and bought a batty pack grip. The DiMage A2, with a larger image sensor at 8MP came out shortly after I had purchased this camera and not too long after that Minolta went out of the camera business.

In June of 2007, on a trip to Budapest Hungary, digital catastrophe struck. Our DiMage A1 failed and Kate's laptop, where we had been stripping the memory card, had a hard disk failure as well which meant we lost pretty much all of our photos from that trip. I did have the camera repaired but soon after purchased a Canon Rebel XTi (10MP) marking our return to SLR photography and the Canon EF lens mount.

Diversion: We returned from a trip to Cuba with Paul and Judy in March of 2005. Unfortunately we had left the DiMage battery charger behind (we replaced it). Later that month we were in Las Vega and area using the Canon A2 film camera — that would have been the last time shooting film.

The DiMage A1 was a life saver later too. It was used on our 2015 trip to Alaska and the West Coast when our Canon EOS REBEL T4i failed (and was repaired soon after).

During the Pandemic much of our film and print archives were digitized. This is discussed in a Digitizing Photos blog post of 2021. But that reminds me that most of our Wedding Photos (1980) were digitized in 2005 on a Minolta DiMage Scan Dual II. That was a film scanner I had picked up used on Ebay. I used it for several years but it ultimately became obsolete and no longer supported on my workstation.

The digital Canon Rebel XTi, purchased with Airmiles credits, came with a "kit lens" (an EF-S mount 18-55mm f/3.5-5.6), used CF memory cards (like the DiMage) and would accept the same EF lenses from the 35mm film cameras we had — the Canon EOS A2 and Canon EOS 630. The image sensor on this camera, and the serveral Canon Rebels we've had since then, are all "cropped" sensors smaller than the 35mm format. There's a 1.5x magnification (the 18-55mm format translates roughly to a 28-80mm lens on a 35mm camera). EF-S mount lenses are designed to cover the smaller sensor format. EF mount lenses cover the larger 35mm format. They both have exactly the same mechanical format and electronic connections. 

Diversion: Canon has always had advanced amateur point and shoot cameras. There are several we've owned and several we still have. A couple of odd ball vanity cameras in this area are the Canon Powershot G10 (14MP) circa 2008 and the Canon Powershot G11 (10MP) circa 2009. These are hardy cameras, really well built, and very much old school with dials to set ISO, shutter speed and exposure compensation. They have a built in zoom lens and are reasonably fast. They're good travel cameras which, at the time, were very expensive. I had lusted over them when they came out but they were out of reach. However, I've bought both in the used market in recent years. The G10 I passed on to a niece when I got the G11 even though the newer camera has a less pixels (10MP vs 14MP).

These days we're using — 

These days, since 2019, I'm shooting with a Canon Rebel T6i (24MP). The 10MP Canon XTi was ruined by night dew one August 2012 when we camped at a Fred Eaglesmith festival. It was replace by a Canon Rebel T4i (18MP) that we purchased with Airmiles. The T6i I bought used from a fellow on the Facebook Market Place. It came with a 18-135mm/f3.5-5.6 IS (Image Stabilizing) lens which has become my day to day lens. We also have a 10-18mm/f4.5-5.6 IS lens for the wide angle and a 55-250MM F/4-5.6 IS for the extreme telephoto — but the 18-135 is more often than not good enough. Recently we have a 7 Artisans 8mm/f3.5 manual focus fisheye lens for the really wide angle and I've been playing more with flash photography having recognized the grainy effects that result from shooting at extremely high speeds under available light (band shots). We're also using a Canon GPS device, again a Facebook Marketplace deal, which fits on the flash shoe of the T6i. This adds location data to the EXIF data (date, shutter speed, ISO, F-stop, focal length, etc.) which is helpful.

Of course we take a lot of photos with our cell phones and have used several point and shoot cameras over the years including: Kodak Easyshare C340 (5MP),  Canon PowerShot SD550 (7MP), Canon PowerShot SD1100 (8MP), and a Canon PowerShot SD1200 (10MP). No doubt there are some I've forgotten and where these are I no longer know. I just searched and find we still have a Canon PowerShot A3500 IS (16MP) and a Canon Powershot Elph 350 HS (20MP). They are both very good point and shoot cameras (the Elph 350 was the only camera I used on a 2017 trip to Sheffield) but they are tucked away and seldom used. The cell phone has replaced them.

The Race —

There are a couple of developments we can see in this history. Firstly, there's a history of automation from the mechanical cameras we started on through to the digital cameras of today. That's a history from simple meters, through to automated exposure, then to autofocus and "smart" focus and exposure. All of that has been made possible by the integration of computer chip technology.

Image quality in a digital camera is, in many ways, determined by image size — how many megapixels (MP) are in the image? In the early days 35mm film would produce better images than the digital counterparts. You can see from the above that there has been a race from 5MP cameras on through the years to the 24MP Canon Rebel T6i that we're using today. I see there cameras today with much higher density — the Canon EOS R5 (a professional grade mirrorless system camera with commensurate pricing) is 45MP and the Google Pixel 7 cellphone is 50MP!! But how much is enough?

I am more than happy with the cameras we have.


This is a work in progress ....